Vanguards of the Plains: A Romance of the Old Santa Fé Trail — John Shaqi
Vanguards of the Plains: A Romance of the Old Santa Fé TrailMcCarter, Margaret Hill
History
Vanguards of the Plains: A Romance of the Old Santa Fé Trail
McCarter, Margaret Hill
Santa Fe National Historic Trail -- Fiction; West (U.S.) -- History -- Fiction
Out of that morning's events I learned a lasting lesson, and I know now
that the influence of Rex Krane on my life began that day, as I recalled
how he had followed Aunty Boone about the dark corners of the little
trading-post on the Neosho; and how he had looked at Mat Nivers once
when Uncle Esmond had suggested his turning back to Independence; and
how he had gone before all of us, the vanguard, to the top of the bluff
west of Council Grove; and now he had followed this Indian girl. From
that time I knew in my boy heart that this tall, careless Boston youth
had a zealous care for the safety of women and children. How much care,
events would run swiftly on to show me. But welded into my life from
that hour was the meaning of a man's high, chivalric duty. And among all
the lessons that the old trail taught to me, none served me more than
this one that came to me on that sweet May morning beneath the shadow of
Pawnee Rock.
VI
SPYING OUT THE LAND
City of the Holy Faith,
In thy streets so dim with age,
Do I read not Faith's decay,
But the Future's heritage.
--LILIAN WHITING.
Day was passing and the shadows were already beginning to grow purple in
the valleys, long before the golden light had left the opal-crowned
peaks of the Sangre-de-Christo Mountains beyond them.
On the wide crest of a rocky ridge our wagons halted. Behind us the long
trail stretched back, past mountain height and cañon wall, past barren
slope and rolling green prairie, on to where the wooded ravines hem in
the Missouri's yellow floods.
Before us lay a level plain, edged round with high mesas, over which
snowy-topped mountain peaks kept watch. A sandy plain, checkered across
by verdant-banded arroyos, and splotched with little clumps of trees and
little fields of corn. In the heart of it all was Santa Fé, a mere group
of dust-brown adobe blocks--silent, unsmiling, expressionless--the
city of the Spanish Mexican, centuries old and centuries primitive.
As our tired mules slackened their traces and drooped to rest after the
long up-climb, Esmond Clarenden called out:
"Come here, children. Yonder is the end of the trail."
We gathered eagerly about him, a picture in ourselves, maybe, in an age
of picturesque things; four men, bronzed and bearded; two sturdy boys;
Mat Nivers, no longer a little girl, it seemed now, with the bloom of
health on her tanned cheeks, and the smile of good nature in wide gray
eyes; beside her, the Indian maiden, Little Blue Flower, slim, brown,
lithe of motion, brief of speech; and towering back of all, the
glistening black face of the big, silent African woman.
So we stood looking out toward that northwest plain where the trail lost
itself among the low adobe huts huddled together beside the glistening
waters of the Santa Fé River.
Rex Krane was the first to speak.
Public-domain text, read in full here on John Shaqi.
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