Vanished towers and chimes of FlandersEdwards, George Wharton
Religion
Vanished towers and chimes of Flanders
Edwards, George Wharton
Change ringing; Chimes; Church buildings -- Flanders; Flanders -- Description and travel
This medieval and most picturesque of all the towns of Flanders had not
felt the effect of the wave of restoration, which took place in Belgium
during the decade preceding the outbreak of the world war, owing to the
fact that its monuments of the past were perhaps finer and in a better
state of preservation than those of any of the other ancient towns.
Ypres in the early days had treated the neighboring town of Poperinghe
with great severity through jealousy, but she in turn suffered heavily
at the hands of Ghent in 1383-84 when the vast body of weavers fled,
taking refuge in England, and taking with them all hope of the town's
future prosperity.
Its decline thenceforward was rapid, and it never recovered its former
place in the councils of Flanders. Its two great memorials of the olden
times were the great Cloth Hall, in the Grand' Place, and the Cathedral
of Saint Martin, both dating from the twelfth and thirteenth centuries.
The Cloth Hall, begun by Count Baldwin IX of Flanders, was perhaps the
best preserved and oldest specimen of its kind in the Netherlands, and
was practically complete up to the middle of August, 1915, when the
great guns of the iconoclastic invader shot away the top of the immense
clock tower, and unroofed the entire structure. Its facade was nearly
five hundred feet long, of most severe and simple lines, and presented a
double row of ogival windows, surmounted by niches containing thirty-one
finely executed statues of counts and countesses of Flanders. There were
small, graceful turrets at each end, and a lofty belfry some two hundred
and thirty feet in height in the center, containing a fine set of bells
connected with the mechanism of a carillon.
[Illustration: No. 4, Rue de Dixmude: Ypres]
The interior of the hall was of noble proportions, running the full
length, its walls decorated by a series of paintings by two modern
Flemish painters, which were not of the highest merit, yet good withal.
At the market-place end was a highly ornate structure called the New
Work (Nieuwerke), erected by the burghers as a guild-hall in the
fifteenth century. This was the first part of the edifice to be ruined
by a German shell.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account