This one was embellished with what are known as "ogival arcatures," arranged in zones or ranks, and there were four immense turrets, one at each corner, these being in turn covered with arcatures of the same character. These flanked the large open-work, gilded, clock face. Surmounting this upon a platform was a construction in the purely Flemish style, containing the chime of bells, and the machinery of the carillon, and topping all was a sort of inverted bulb or gourd-shaped turret, covered with blue slate, with a gilded weathervane about which the rooks flew in clouds. The counterpart of this tower was not to be found anywhere in the Netherlands, and one is surprised that it was so little known. [Illustration: The Towers of St. Winoc: Bergues] Upon the occasion of our visit the town was given up to the heavy and stolid festivities of the "Kermesse," which is now of interest here only to the laboring class and the small farmers of the region. The center of attraction, as we found in several other towns, seemed to be an incredibly fat woman emblazoned on a canvas as the "Belle Heloise" who was seated upon a sort of throne draped in red flannel, and exhibited a pair of extremities resembling in size the masts of a ship, to the great wonder of the peasants. There were also some shabby merry-go-rounds with wheezy organs driven by machinery, and booths in which hard-featured show women were frying waffles in evil smelling grease. After buying some of these for the children who stood about with watering mouths, we left the "Kermesse" and wandered away down a silent street towards a smaller tower rising from a belt of dark trees. This we found to be the remains of the ancient abbey of St. Winoc. A very civil mannered young priest who overtook us on the road informed us of this, and volunteered further the information that we were in what was undoubtedly the ancient _jardin-clos_ of the Abbey. Of this retreat only the two towers standing apart in the long grass remained, one very heavy and square, supported by great buttresses of discolored brick, the other octangular, in stages, and retaining its high graceful steeple.