The individual in question was Lady Atalanta Walkenshaw, or, as he had
already got accustomed to call her, Lady Tal. He had called upon Lady
Tal; he had begun studying Lady Tal; and now he was actually untying
the string which fastened Lady Tal's first attempt at a novel.
Why on earth had he done any of these things, much less all? Jervase
Marion asked himself, leaving the folded parcel unopened on the large
round table, covered with a black and red table-cloth, on which were
neatly spread out his writing-case, blotter, inkstand, paper-cutter,
sundry packets of envelopes, and boxes of cigarettes, two uncut
_Athenaeums_, three dog-eared French novels (Marion secretly despised all
English ones, and was for ever coveting that exquisite artistic sense,
that admirable insincerity of the younger Frenchmen), a Baedeker, a
Bradshaw, the photograph, done just before her death, of his mother in
her picturesque, Puritan-looking widow's cap, and a little portfolio for
unanswered letters, with flowers painted on it by his old friend, Biddy
Lothrop.
Marion gave the parcel, addressed in a large, quill-pen hand, a look of
utter despair, and thrusting his hands ungracefully but desperately into
the armhole of his alpaca writing-jacket, paced slowly up and down his
darkened room on a side canal. He had chosen that room, rather than
one on the Riva, thinking it would be less noisy. But it seemed to him
now, in one of his nervous fits, as if all the noises of the world
had concentrated on to that side canal to distract his brain, weaken
his will, and generally render him incapable of coping with his own
detestable weakness and Lady Tal's terrible determination. There was a
plash of oar, a grind of keel, in that side canal, a cry of _Stali_ or
_Preme_ from the gondoliers, only the more worrying for its comparative
rareness. There was an exasperating blackbird who sang Garibaldi's hymn,
in separate fragments, a few doors off, and an even more exasperating
kitchen-maid, who sang the first bars of the umbrella trio of _Boccaccio_,
without getting any further, while scouring her brasses at the window
opposite, and rinsing out her saucepans, with a furtive splash into the
canal. There was the bugle of the barracks, the bell of the parish
church, the dog yelping on the boats of the Riva; everything in short
which could madden a poor nervous novelist who has the crowning
misfortune of looking delightfully placid.
Public-domain text, read in full here on John Shaqi.
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