"Thanks, it isn't stamps; it's snuff, and you wouldn't know what
sort to get." And Lady Tal, making her stately way through the crowd
of surprised loafers, put a franc on the counter and requested the
presiding female to give her four ounces of _Semolino_, but of the good
sort----"It's astonishing how faddy those old creatures are about their
snuff!" remarked Lady Tal, pocketing her change. "Would you put this
snuff in your pocket for me? Thanks. The other sort's called _Bacubino_,
it's dark and clammy, and it looks nasty. Have you ever taken snuff? I
do sometimes to please my old creatures; it makes me sneeze, you know,
and they think that awful fun."
As they went along Lady Atalanta suddenly perceived, in a little green
den, something which attracted her attention.
"I wonder whether they're fresh?" she mused. "I suppose you can't tell a
fresh egg when you see it, can you, Mr. Marion? Never mind, I'll risk
it. If you'll take this third bag of oranges, I'll carry the eggs--they
might come to grief in your hands, you know."
"What an odious, odious creature a woman is," thought Marion. He
wondered, considerably out of temper, why he should feel so miserable
at having to carry all those oranges. Of course with three gaping
bags piled on his chest there was the explanation of acute physical
discomfort; but that wasn't sufficient. It seemed as if this terrible,
aristocratic giantess were doing it all on purpose to make him miserable.
He saw that he was intensely ridiculous in her eyes, with those yellow
bags against his white waistcoat and the parcel of snuff in his coat
pocket; his face was also, he thought, streaming with perspiration, and
he couldn't get at his handkerchief. It was childish, absurd of him to
mind; for, after all, wasn't Lady Atalanta equally burdened? But she,
with her packets of rolls, and packet of books, and basket of eggs, and
her umbrella tucked under her arm, looked serene and even triumphant in
her striped flannel.
"I beg your pardon--would you allow me to stop a minute and shift the
bags to the other arm?" Marion could no longer resist that fearful agony.
"If you go on I'll catch you up in a second."
But just as Marion was about to rest the bags upon the marble balustrade
of a bridge, his paralysed arm gave an unaccountable jerk, and out flew
one of the oranges, and rolled slowly down the stone steps of the
bridge.
"I say, don't do that! You'll have them all in the canal!" cried Lady
Atalanta, as Marion quickly stooped in vain pursuit of the escaped
orange, the movement naturally, and as if it were being done on purpose,
causing another orange to fly out in its turn; a small number of
spectators, gondoliers and workmen from under the bridge, women nursing
babies at neighbouring windows, and barefooted urchins from nowhere in
particular, starting up to enjoy the extraordinary complicated conjuring
tricks which the stout gentleman in the linen coat and Panama hat had
suddenly fallen to execute.
Public-domain text, read in full here on John Shaqi.
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