Few things, of the many contradictory things of this world, are more
mysterious than the occasional certainty of sceptical men. Marion was
one of the most sceptical of sceptical novelists; the instinct that
nothing really depended upon its supposed or official cause, that
nothing ever produced its supposed or official effect, that all things
were always infinitely more important or unimportant than represented,
that nothing is much use to anything, and the world a mystery and
a muddle; this instinct, so natural to the psychologist, regularly
honeycombed his existence, making it into a mere shifting sand, quite
unfit to carry the human weight. Yet at this particular moment, Marion
firmly believed that if only Lady Atalanta could be turned into a
tolerable novelist, the whole problem of Lady Atalanta's existence would
be satisfactorily solved, if only she could be taught construction,
style, punctuation, and a few other items; if only one could get into
her head the difference between a well-written thing, and an ill-written
thing, then, considering her undoubted talent----for Marion's opinion
of Lady Tal's talent had somehow increased with a bound. Why he should
think _Christina_ a more remarkable performance now that he had been
tinkering at it for six weeks, it is difficult to perceive. He seemed
certainly to see much more in it. Through that extraordinary difficulty
of expression, he now felt the shape of a personality, a personality
contradictory, enigmatical, not sure of itself, groping, as it were,
to the light. _Christina_ was evidently the real Lady Tal, struggling
through that overlaying of habits and prejudices which constituted the
false one.
So, _Christina_ could not be given too much care; and certainly no novel
was ever given more, both by its author and by its critic. There was
not a chapter, and scarcely a paragraph, which had not been dissected
by Marion and re-written by Lady Tal; the critical insight of the one
being outdone only by the scribbling energy of the other. And now, it
would soon be finished. There was only that piece about Christina's
reconciliation with her sister-in-law to get into shape. Somehow or
other the particular piece seemed intolerably difficult to do; the more
Lady Tal worked at it, the worse it grew; the more Marion expounded his
views on the subject, the less did she seem able to grasp them.
They were seated on each side of the big deal table, which, for the
better development of _Christina_, Lady Tal had installed in her
drawing-room, and which at this moment presented a lamentable confusion
of foolscap, of mutilated pages, of slips for gumming on, of gum-pots,
and scissors. The scissors, however, were at present hidden from view,
and Lady Tal, stooping over the litter, was busily engaged looking for
them.
"Confound those beastly old scissors!" she exclaimed, shaking a heap of
MS. with considerable violence.
Public-domain text, read in full here on John Shaqi.
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