And they fell again to the catalogue. It was a very hard day's work,
that first one, for the catalogue was in horrid confusion; and they
really could not have had time to talk much about other things, for they
went on with merely a brief space for lunch, and Greenleaf was sent for
a walk with one of the boys at tea time, while Miss Flodden unwillingly
entertained some neighbours. Then at dinner the conversation, in which
she took no part, rolled mainly upon local pedigrees, crops, how many
fish the boys had caught, in what houses friends were staying, whom
sundry young ladies of the neighbourhood were likely to marry, and how
many bags had been made at the various shoots. Still, despite these
irrelevant interests, Miss Flodden seemed to have understood why
Greenleaf had expected her to like the sale of the collection, and
Greenleaf to have understood why Miss Flodden should have been vexed
at the collection being sold. At least there was a sense of mutual
comprehension and good-will, such as the morning had scarcely promised.
And when, after fretting a little over more bags of game and more
local pedigrees, with his host and the boys after dinner, Greenleaf
returned to find the ladies in various stages of somnolence, over the
drawing-room fire; he experienced an odd sense of the naturalness of
things when Miss Flodden asked whether he could play the piano, and took
her violin out of its case.
Miss Flodden did not play exactly well, for it appears that very few
people do; and she, of course, had had but little opportunity of
learning. Yet, in a way, she played the fiddle much better, Greenleaf
felt, than he himself, who was decidedly a proficient, could play the
piano. For there was in her playing the expression not merely of talent,
but of extraordinary, passionate, dogged determination to master the
instrument. It was as much this as the actual execution which gave the
charm to her performance. To Greenleaf the charm was immense. He nearly
always played, when he did play, with men; and he hated the way in which
the fiddle crushes the starched hideous shirt, the movement of bowing
rucks the black sleeve and hard white cuff too high above the red,
masculine wrist; and among the dreams of his life there had always been
a very silly one, of a younger sister--he always thought of her as
called Emily--who would have learned the violin, and who would have
stood before him like this, bow in hand, while he looked up from his
piano. It seems odd, perhaps, that the fair violinist should never have
appeared to his mind as a possible wife; but so it was. And so it was
that this image, which had dawned upon his school-boy fancy long before
the delectableness of marriage could ever be understood, and when his
solitary little soul still smarted at his dull, grown-up, companionless
home--so it was that the image of "Emily"--the imaginary sister with the
violin--had gradually taken the place in his heart of that grave Miss
Public-domain text, read in full here on John Shaqi.
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