Delia Carpenter, the only woman whom he had ever loved, and who had told
him she was in love with another.
The family was beginning to disperse; the girls to wake up yawning from
their novels or their embroidery; the father to start suddenly from his
slumber over the _Times_; the boys, having satisfied themselves in the
newspapers about the number of brace of grouse, had sneaked off to
prepare flies for the next day's fishing; and still the duet went on,
the image of "Emily" gradually acquiring the blue eyes (its own had
been brownish) and clear-cut, nervous features (she had hitherto had
an irregular style of beauty) of Val Flodden.
"That's enough," said Miss Flodden, putting her violin tenderly--she had
the same rather unwonted tenderness with some of the majolica--into its
case, and looking round at the sleepy faces of the family. "Jack, give
Mr. Greenleaf his candle. And," she added, as they shook hands, "you'll
tell me some more about how it will be when everybody works and has
leisure, won't you, to-morrow?"
That night Greenleaf saw in his dreams his father's rectory among the
south country pines, the garden and paddock, the big library and loft
full of books; and among it all there wandered about, rather dim in
features, but unhesitatingly recognised, that imaginary sister, the
violinist Emily.
VI.
"Tell me more about the Miss Carpenters," said Miss Flodden shyly,
keeping her eyes fixed on the rapidly flowing twist of water between the
big shingle, where every now and then came the spurt of a salmon's leap.
They were seated, after tea, and another hard day's cataloguing, under
some beech trees that overhung the Tweed. From the fields opposite--no
longer England, already Scotland--came the pant and whirr of a
threshing-machine; while from the woods issued the caw of innumerable
rooks, blackening the sky. A heron rose from among the reeds of the
bank, and mounted, printing the pale sky with his Japanese outline.
There was incredible peacefulness, not unmixed with austerity, in the
gurgle of the water, the green of the banks, the scent of damp earth.
Public-domain text, read in full here on John Shaqi.
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