A light sound, as of some fairy footstep among the flowers, came upon
his ears, and turning instantly to the direction from whence the
sound proceeded, he saw what his heart had previously assured him of,
namely, that it was his Flora who was coming.
Yes, it was she; but, ah, how pale, how wan—how languid and full of
the evidences of much mental suffering was she. Where now was the
elasticity of that youthful step? Where now was that lustrous beaming
beauty of mirthfulness, which was wont to dawn in those eyes?
Alas, all was changed. The exquisite beauty of form was there, but
the light of joy which had lent its most transcendent charms to that
heavenly face, was gone. Charles was by her side in a moment. He had
her hand clasped in his, while his disengaged one was wound tenderly
around her taper waist.
“Flora, dear, dear Flora,” he said, “you are better. Tell me that you
feel the gentle air revives you?”
She could not speak. Her heart was too full of woe.
“Oh; Flora, my own, my beautiful,” he added, in those tones which
come so direct from the heart, and which are so different from any
assumption of tenderness. “Speak to me, dear, dear Flora—speak to me if
it be but a word.”
“Charles,” was all she could say, and then she burst into a flood of
tears, and leant so heavily upon his arm, that it was evident but for
that support she must have fallen.
Charles Holland welcomed those, although they grieved him so much that
he could have accompanied them with his own, but then he knew that she
would be soon now more composed, and that they would relieve the heart
whose sorrows called them into existence.
He forbore to speak to her until he found this sudden gush of feeling
was subsiding into sobs, and then in low, soft accents, he again
endeavoured to breathe comfort to her afflicted and terrified spirit.
“My Flora,” he said, “remember that there are warm hearts that love
you. Remember that neither time nor circumstance can change such
endearing affection as mine. Ah, Flora, what evil is there in the
whole world that love may not conquer, and in the height of its noble
feelings laugh to scorn.”
“Oh, hush, hush, Charles, hush.”
“Wherefore, Flora, would you still the voice of pure affection? I love
you surely, as few have ever loved. Ah, why would you forbid me to give
such utterance as I may to those feelings which fill up my whole heart?”
“No—no—no.”
“Flora, Flora, wherefore do you say no?”
“Do not, Charles, now speak to me of affection or love. Do not tell me
you love me now.”
“Not tell you I love you! Ah, Flora, if my tongue, with its poor
eloquence to give utterance to such a sentiment, were to do its office,
each feature of my face would tell the tale. Each action would show to
all the world how much I loved you.”
“I must not now hear this. Great God of Heaven give me strength to
carry out the purpose of my soul.”
Public-domain text, read in full here on John Shaqi.
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