Vashti; Or, Until Death Us Do PartEvans, Augusta J. (Augusta Jane)
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Vashti; Or, Until Death Us Do Part
Evans, Augusta J. (Augusta Jane)
American fiction -- 19th century
It was a mild, sunny afternoon, late in December, with only a few
flakes of white curd-like cirri drifting slowly before the stiffening
south wind that came singing a song of the tropics over the gently
heaving waste of waters--
"Where the green buds of waves burst into white froth flowers."
Two glimmering sails stood like phantoms on the horizon; and a silent
colony of snowy gulls, perched in conclave on a bit of weed-wreathed
drift floating landward, were the only living things in sight, save
the childish figure on the yellow beach under the bleaching rocks, and
the girlish one seated on the tallest cliff, where a storm-scarred
juniper, bending inland, waved its scanty fringe in the fresh salt
breeze.
No note of human strife entered here, nor hum of noisy business marts;
and the solemn silence, so profound and holy, was broken only by the
soft, mysterious murmur of the immemorial ocean, as its crystal
fingers smote the harp of rosy shells and golden sands.
Clasped in the crescent that curved a mile northward lay the house,
and grove, and grounds of "Solitude," looking sombre in the distance,
as the shadow of surrounding hills fell upon the dense foliage that
overhung its quiet precincts, and toned down the garish red of the
boat-house roof, which lent a brief dash of color to the peaceful
picture. Beyond the last guarding promontory that seemed to have
plunged through the shelving strand to bathe in blue brine and cut off
all passage along its base, a strong well-trained eye might follow the
trend of the coast even to the dim outlines and thread-like masts,
that told where the distant town hugged its narrow harbor; and, in the
opposite direction, low, irregular sand hills and brown marshes crept
southward, as if hunting the warmth that alone could mantle them with
living verdure.
As the afternoon wore away, the sinking sun dipped suddenly behind a
wooded eminence, which, losing the warm purples it had worn since
noon, grew chill and blue as his rays departed; and, weary of her
work, Salome put it aside and began to practise her music lesson,
beating time with her slender fingers on the bare juniper-roots, from
which wind and rain had driven the soil. Running her chromatic scales,
and pausing at will to trill upon any minor note that wooed her
vagrant fancy, she played with her flexible voice as dexterous
violinists toy with the obedient strings they hold in harmonious
bondage to their bows.
Finally she pushed the exercises away, and began a _fantasus_ from
"Traviata," which she had heard Mr. Barilli play several times; and so
absorbed was she in testing her capacity for vocal gymnastics that she
failed to observe the moving figure dwarfed by distance and pacing the
sands in front of "Solitude."
Public-domain text, read in full here on John Shaqi.
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