Vashti; Or, Until Death Us Do PartEvans, Augusta J. (Augusta Jane)
General
Vashti; Or, Until Death Us Do Part
Evans, Augusta J. (Augusta Jane)
American fiction -- 19th century
The rich, fresh tones which seemed occasionally to tremble with the
excess of melody that burdened them played hide-and-seek among the
hills, startling whole choruses of deep-throated echoes, and attending
and retentive ocean, catching the strains on her beryl strings, bore
them whither--and how far? To palm-plumed equatorial isles, where
dying auricular nerves mistook them for seraphic utterances? To
toiling mariners, tossed helplessly by fierce typhoons, who, pausing
in their scramble for spars, listened to the weird melody that
presaged woe and wreck? To the broken casements of fishermen's huts,
on distant shores, where anxious wives peered out in the blackening
tempest, and shrank back appalled by sounds which sea-tradition
averred were born in coral caves, mosaiced with blanching human
skulls? What hoary hierophant in the mysteries of cataphonics and
diacoustics will undertake to track those trills across the blue bosom
of the Atlantic or the purplish billows of the Indian Ocean?
The wind went down with the sun; silver-edged cirri lost their
glitter, and swift was
... "The spread
Of orange lustre through these azure spheres
Where little clouds lie still like flocks of sheep,
Or vessels sailing in God's other deep."
In that wondrous and magical after-glow which tenderly hovers over the
darkening face of the dying day, like the strange, spectral smile that
only sheds its cold, supernatural light on lips twelve hours dead,
Salome's fair face and graceful _pose_ was as softly defined against
the western sky as some nimbussed saint or madonna on the golden
background of old Byzantine pictures. Her small straw hat, wreathed
with scarlet poppies, lay at her feet; and around her shoulders she
had closely folded a bright plaid flannel cloak, which tinted her
complexion with its ruddy hues, as firelight flushes the olive
portraits that stare at it from surrounding walls, and the braided
black hair and large hazel eyes showed every brown tint and topaz
gleam.
Leaning her arms on the top of her music-book, she rested her chin
upon them, and sat looking seaward, singing a difficult passage, in
the midst of which her nimble voice tripped on an E flat, and, missing
the staccato step, rolled helplessly down in a legato flood of melody;
whereupon, with an impatient grimace she shut her eyes, weary of
watching the wave-shimmer that almost dazzled her. After a few
seconds, when she opened them, there stood just on the edge of the
cliff, as if poised in air, a woman whose face and form were as
sharply cut in profile on the azure sea and sky as white cameo
features on black agate grounds.
Around the tall figure shining folds of silver poplin hung heavy and
statuesque, and over the shoulders a blue crape shawl was held by a
beautiful blue-veined hand, where a sapphire asp kept guard; while a
cluster of double violets fastened behind one shell-like ear breathed
their perfume among glossy bands of gray hair.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account