French fiction -- Translations into English; Historical fiction
“But you can easily justify yourself,” continued the girl, with a proud
movement of her head. “Monsieur Luigi,” she added, turning to him with
an arch look, “will no longer object to entering the royal service.
Well, then,” after receiving a smile from the young man, “to-morrow
morning I will send a petition to one of the most influential persons at
the ministry of War,--a man who will refuse nothing to the daughter of
the Baron di Piombo. We shall obtain a ‘tacit’ pardon for Captain Luigi,
for, of course, they will not allow him the rank of major. And then,”
she added, addressing Servin, “you can confound the mothers of my
charitable companions by telling them the truth.”
“You are an angel!” cried Servin.
While this scene was passing at the studio the father and mother of
Ginevra were becoming impatient at her non-return.
“It is six o’clock, and Ginevra not yet home!” cried Bartolomeo.
“She was never so late before,” said his wife.
The two old people looked at each other with an anxiety that was not
usual with them. Too anxious to remain in one place, Bartolomeo rose
and walked about the salon with an active step for a man who was over
seventy-seven years of age. Thanks to his robust constitution, he had
changed but little since the day of his arrival in Paris, and, despite
his tall figure, he walked erect. His hair, now white and sparse, left
uncovered a broad and protuberant skull, which gave a strong idea of his
character and firmness. His face, seamed with deep wrinkles, had taken,
with age, a nobler expression, preserving the pallid tones which inspire
veneration. The ardor of passions still lived in the fire of his eyes,
while the eyebrows, which were not wholly whitened, retained their
terrible mobility. The aspect of the head was stern, but it conveyed
the impression that Piombo had a right to be so. His kindness, his
gentleness were known only to his wife and daughter. In his functions,
or in presence of strangers, he never laid aside the majesty that time
had impressed upon his person; and the habit of frowning with his heavy
eyebrows, contracting the wrinkles of his face, and giving to his eyes a
Napoleonic fixity, made his manner of accosting others icy.
Public-domain text, read in full here on John Shaqi.
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