Art -- Italy -- Venice; Venice (Italy) -- Description and travel
One's imagination is inclined to run riot in Venice. One gilds, and
romances, and fills the city with pomp and pageantry, ornamenting the
canals with State barges, the piazza with noble men and fair women,
and the Ducal Palace with illustrious Doges. But far more interesting
is it to see Venice as she really is, in her own simple strength.
Think of the more rugged Venice, that city built by strong and patient
men against such terrible odds, and in so wild and solitary a spot. In
order to gain some idea of Venice as she was in those early days, it
is well to go out in a gondola at low tide, when the canal is a plain
of seaweed. As your gondola makes its way down a narrow channel, you
have some conception of the difficulties with which the founders of
Venice had to contend. To the narrow strips of land, long ridges
guarding the lagoon from the sea, ill sheltered from the waves, the
few hundred stragglers came. Their capital, Padua, had been destroyed
by the northern hordes, and they took shelter in the islands of the
lagoon. So desolate and wind-swept were these islands that one can
scarcely imagine men disputing possession of them with the flocks of
sea-birds. They were impelled by no whim, however: they were exiles
driven by necessity. Here they looked for a temporary home, lived much
as the sea-birds lived, and were quite fearless. The soil, composed
chiefly of dust, ashes, and bitumen, with here and there a layer of
salt, was rich and fertile. This was in the fifth century of our era,
of which period there are but few Venetian records.
[Illustration: OFF THE GIUDECCA]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account