Art -- Italy -- Venice; Venice (Italy) -- Description and travel
This marvellous period of her history--the repulses of the Franks and
the creation of her State--requires no embellishments; yet the
Venetians loved to gather a mythology of persons and events.
Cannon-balls of bread, they say, were fired into the Frankish camp in
mockery of Pippin's hope of strong Rialto surrendering. Then, again,
there are the stories of the old woman who lured the invader to his
final effort when half his forces were lost; of the canal Orfano,
which ran with foreign blood, and won its name from the countless
Frankish hordes that day made desolate; of the sword of Charles, which
was flung into the sea when the Emperor acknowledged his repulse and
cried, "As this my brand sinks out of sight, nor ever shall rise
again, so let all thoughts of conquering Venice fade from out men's
hearts, or they will feel, as I have felt, the heavy displeasure of
God." All these stories were absolutely untrue; but they were born of
a pardonable pride.
The Venetians held their country in a singularly powerful devotion.
Possibly this was because they were so closely shut in on these few
little islands, precious morsels of land snatched from the devouring
sea. Certain it is that they toiled for the State as no other nation
has toiled before or since. They were determined that Venice should be
great, that she should be beautiful; and century after century of
Venetians devoted their lives to this work, sinking their own
interests in hers. The Republic was before everything. Wherever one
goes in Florence, one finds traces of great and famous men of all
periods and of all crafts--painters, poets, writers, statesmen,--in
every square, in every street, you are reminded of them; their spirits
and their works live with you wherever you may go. But in Venice,
where are they? There is the city--yes: there is that; and there are
the archives, the annals of the city, histories without number,
marvellous histories;--but the familiar figures, the great men that we
honour and look for,--they are not here. Venice herself was the centre
of all their aspirations, all their affections. She was erected as
would be a treasure-heap: all the choicest and all the best were
there. One knows but little, for example, of the great painters--the
men, with beautiful thoughts, who filled the churches and the palaces
with untold splendour, glowing sunshine. Their works are left, and
their names; but no more. It seems as if they must have kept one
another down, that Venice alone might shine.
[Illustration: THE BRIDGE OF SIGHS AND STRAW BRIDGE]
Public-domain text, read in full here on John Shaqi.
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