Art -- Italy -- Venice; Venice (Italy) -- Description and travel
message to the chair of the Doge. The young man was brought before the
"Forty," excused on the plea of his age and impetuosity, condemned to
prison for two months, and banished from Venice for a year
afterwards. This slight punishment for so grave an offence stung
Faliero to the quick. He felt that, though he occupied the Venetian
throne, he had scarcely more power than the beggar at his gate. All
his life he had been an active, energetic man, a ruler of men; his
word had been law, and his counsels listened to with respect and acted
upon. Now he was powerless. He was insulted by the young nobles, and
had no power to punish them; his authority was entirely disregarded.
This state of things grew worse and worse. Two of his old friends also
were insulted by noblemen. At last Faliero's temper could endure no
longer. In the April of 1355 he formed a conspiracy, and tried to
assert his supremacy. Six months after his triumphant arrival in
Venice as Doge, an old man and friendless, enraged at the insults
offered to him, he struck one mad and foolish blow for freedom. The
plot was betrayed on the eve of the catastrophe. The conspirators were
strung up in one long ghastly line on the piazza. Faliero himself was
beheaded at the foot of the stairs where a few short months before he
had sworn the _promissione_ on assuming the office of Doge.
[Illustration: THE BRIDGE OF SIGHS]
A GLIMPSE INTO BOHEMIA
On one occasion we arrived at Venice early in the morning. I was
frightened at the darkness and the stillness, and the tall black
houses looming high above us: it seemed that brigands must be lurking
there, ready to murder us. Absolute silence reigned, except for
mysterious sounds as if melodious voices were calling a refractory
dog--"Puppy," "Puppy," "Puppy," we heard on every side. It was the
warning of the gondoliers as they passed one another in the darkness.
I longed for some accustomed natural noise. If only something would
fall and make a splash! The silence set one's nerves on edge. We hired
a gondola, and glided swiftly and silently out into the darkness, our
gondolier's ringing voice joining the chorus of "Puppy." And so
dexterously did he handle his dainty craft that, even as we turned
corners and passed other gondolas in the pitch-black darkness, not a
sound was made, not a splash. I felt like beating the water with the
palms of my hands to make a disturbance. This silent gliding went on
for about twenty minutes, until suddenly we drew up by an enormous
silver-grey palace down a side canal, one of the largest palaces in
Venice, with broad marble steps and badly-made deal doors. After some
time the doors were opened, and an old lady appeared, bowing and
talking in rapid Italian. She led us up the steps and through a
colossal hall of marble, all marble, with staircases on either side
leading on to spacious landings, into a suite of rooms that seemed
more like the state apartments of a king than those of an ordinary
hotel.
Public-domain text, read in full here on John Shaqi.
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