Art -- Italy -- Venice; Venice (Italy) -- Description and travel
perseverance, I was told, it was possible to acquire an appetite.
There were tables of different sizes, and groups of artists belonging
to different sects--some antagonistic, some sympathetic: Dottists, and
Spottists, and Stripists. Sometimes when the Dottists and Spottists
happened to be friends for the minute they would join their tables
together and make one long one. But this was only now and then.
Usually the groups in the Panada were formed of twos. Often genius
sat alone. Now and then, when a big picture was sold, the restaurant
was very festive: the artist had a dinner-party, to which everyone had
been invited. But generally it was a small water-colour that was sold,
and the party went off to a small café down by a side canal. There was
one man who got himself up to look like King Charles, and he was King
Charles to the life! Long hair rested on his shoulders, and an
enormous tie adorned his neck; his trousers and waistcoat were
fringed, and his boots and beard were pointed. He had a coat of velvet
that through age had become marked with an opalescent mottle. If he
stood in front of an age-toned palace you never knew which was coat
and which was palace. He possessed no earthly goods, but paid his way
all over the world by painting portraits. He would either cut you out
in black paper for fivepence or draw an elaborate portrait in pastel
for one franc fifty. This celebrated man came up to us, and began to
paint our portraits. Before we knew where we were he had cut out,
dry-pointed, and stippled us; and melted away, leaving behind him a
whole tableful of works of art, side by side with his bill. Then
another man introduced himself to us, and explained that this was
quite the usual thing for "King Charles" to do. He pointed out
how romantic and interesting it all was: he seemed quite convinced
that the place was full of romance.
[Illustration: AN UNFREQUENTED CANAL]
For us Bohemia had lost its romance. We felt that we had been green,
grass-green, and that (to use a vulgarism) the gilt was off the
gingerbread. The room was becoming stuffy; the Bohemians were noisy
and dishonest; and the waiters, no longer toney, were dirty. So we
paid our own bill and "King Charles's," and left the Panada and
romance for the open air.
Public-domain text, read in full here on John Shaqi.
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