Art -- Italy -- Venice; Venice (Italy) -- Description and travel
Sometimes sentiment finds expression in the rilotti--popular Venetian
songs.
[Illustration: CHIOGGIA FISH MARKET]
THE ISLANDS OF THE LAGOON
There is no piece of water more extraordinary than the lagoons of
Venice. They cover an area of 184 square miles of water, shut off from
the sea by a narrow strip of sandy islands, which are called the Lidi.
The form of the lagoons is, roughly, that of a bent bow. How did they
happen to be formed thus? That is a difficult question, and there are
various opinions. Certainly the lagoons are a great feature of the
city. They gave shelter to the founders flying from the Huns on the
mainland, and the health of the community depends on their regular ebb
and flow. A lagoon is not a lake; neither is it a swamp, nor open sea.
It is a strange piece of natural engineering. There are really,
although we cannot see them at high tide, four distinct water systems,
with separate watersheds and confluent streams. The sea comes in once
a day as from a great heart, pulsing in through the four breaks in
the Lido barrier, cleaning and purifying the lagoon, and afterwards
bearing away the refuse of the city. At low tide one can see these
channels distinctly winding in and out of the mud-banks. In the spring
they are bare, with long trails of sea-grass. In autumn they are brown
and bare, and at high tide the whole surface is flooded. On the
mainland shore of the lagoon there is a certain territory, called
Laguna Morta, where the sea and the land fight a continual battle. It
is the home of the wildfowl. Here salt sea-grasses grow, tamarisk,
samphire, and, in the autumn, sea lavender. Farther, the ground
becomes solid, and the Venetian plain begins, with its villas,
poplars, vineyards, and mulberry groves.
Nothing is more delightful than to spend a whole long day upon the
lagoon when the air is sweet and the breeze is fresh from the Lido.
There are fishing-boats coming in from their long night, with spoil
for the Rialto market, crossing and recrossing one another as they
tack. The bows are painted, and the nets are hung mast-high to be
mended and dried in the sun. Their sails are folded close together,
like the wings of great vermilion moths. These sails, which are
picturesque in the Venetian landscape, are of the deepest oranges and
reds, rich red browns, orange yellows, and burnt siennas, contrasting
strangely with the cool grey waters of the lagoon upon which they
float.
Public-domain text, read in full here on John Shaqi.
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