Art -- Italy -- Venice; Venice (Italy) -- Description and travel
The night-lapping of the waves against the Sacca della Misericordia
calls to mind the two toiling fishermen of Theocritus, whose life must
have been strangely like that of the first dwellers on the Rivo Alto.
Let us quote from Mr. Andrew Lang’s translation. “Two fishers on a
time together lay and slept: they had strown the dry sea-moss for a
bed in their wattled cabin, and there they lay against the leafy wall.
Beside them were strewn the instruments of their toilsome hands, the
fishing-creels, the rods of reed, the hooks, the sails bedraggled with
sea-spoil, the lines, the weels, the lobster-pots woven of rushes, the
seines, two oars and an old coble upon props. Beneath their heads was
a scanty matting, their clothes, their sailor’s caps. Here was all
their toil, here all their wealth. The threshold had never a door, nor
a watch-dog: all things, all to them seemed superfluity, for Poverty
was their sentinel. They had no neighbour by them, but ever against
their narrow cabin gently floated up the sea.” This is a page for the
history of Venice in her infancy, or rather for the history of that
earlier time when Venice was as yet unborn. Out among the islands
of the lagoon, which on a calm, vague day of summer seem to hover
in the atmosphere upon a silver haze, among those luminous paths of
chrysophrase and porphyry, mother-of-pearl and opal, we shall still
find some footsteps of these first Venetians unerased by tract of time.
Perhaps it is at Sant’ Erasmo that the print is clearest; there are few
materials that we cannot find here for reconstruction of the primeval
settlement. There are the rush-roofed shelters of the boats and the
rude landing-stages; there are the low, white _capane_ roofed with
thatch or tiles, the long, narrow, stagnant waterways, the high, grassy
levels bordering the water; there are fields of reeds, and thickets or
fringes of rustling poplars; there are _valli_ where the fish stir and
leap and gleam continuously, breaking the smooth water into a thousand
ripples; there is the broad, central waterway, and countless lesser
channels and pools among the reeds, where one may see a boat slowly
winding, guided perhaps by children, their little figures standing
out against the desolate landscape, the silence broken by no voice
but theirs. Thus must Venice have been in her infancy. And if from
among these lonely waterways and grassy flats of Sant’ Erasmo we look
forward into the future, we can anticipate the gradual evolution of a
city such as Venice was afterwards to be. The building of the first
mud-huts; the driving of the first close-set clumps of piles to support
more solid structures; the filling of marsh-pools and strengthening of
foundations; the light wooden bridges thrust across the water, as one
may see them on the Lido to-day; the transition from houses of wood
to houses of brick and stone, from thatch to tiles; the building of
churches on the higher ground, each with its plot of grass about it;
Public-domain text, read in full here on John Shaqi.
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