Art -- Italy -- Venice; Venice (Italy) -- Description and travel
There is an island where we cannot think of death, where decay dare
not come; though the water plants smell faint upon its shores, and the
cypresses that clothe it rise black against the sky. It is the island
that sheltered one of the most joyful spirits that has ever walked the
world, the island where the larks once sang in such prolonged impulsive
harmony of joy that the sound of their singing has never passed away;
it may seem to lie silent as a veil upon the water, but the tremor
of the sunshine will waken it to renewed harmonics of delight--San
Francesco del Deserto. We rejoice to think that the Poverello set
foot in the lagoons, that he left here in the lonely waters the
blossom of his love. St. Francis of the Desert can wake no thoughts of
melancholy, and indeed this is no deserted place, nor in the morning
of his coming, after the night of storm, can it have seemed a place
of desolation; for nothing is more wonderful, more prodigally full
of the mysterious rapture of life, than the flowing in of day upon
the lagoons after the tumult of rain and hurricane. They say that St.
Francis, coming from the Holy Land on a Venetian ship, was driven by
the storm to cast anchor near Torcello; that as he prayed, the storm
subsided, and a great calm fell on the lagoon. Then as the Poverello
set foot upon this cypress-covered shore, the sun came out--the sun
of the early summer dawn--and shone through the dripping branches of
the cypresses, covering them with glistening crystals, and shone on
the damp feathered creatures among the branches and on the larks among
the reedy grass, and as he shone a choir of voices woke in the lonely
island and a chorus of welcome burst from ten thousand throats. And
the sun shone in the heart of St. Francis also, and it overflowed with
joy; and St. Francis said to his companion, “The little birds, our
brothers, praise their Creator with joy; and we also as we walk in
the midst of them--let us sing the praises of God.” And then as St.
Bonaventura relates the legend, the birds sang so clamorously on the
branches that St. Francis had to entreat their silence till he had
sung the Lauds; but we may read another story if we will, and say that
the dewy matin song of the birds was not so clamorous as to disturb
the quiet morning gladness of the Poverello, that they sang together
in the dawn. San Francesco del Deserto is not an island of sorrow. In
the little convent inhabited still by a few quiet Franciscans, the
narrow gloomy corner is to be seen which they name St. Francis’s bed:
in the convent garden there rises a stone memorial round the tree that
flowered from the Saint’s planted staff. We know these familiar symbols
of the Franciscan convents: the brothers cling to them as to some
fragmentary testament that their eyes can read and their hand grasp
when the living spirit has fled away; everywhere among the mountain or
the valley solitudes where St. Francis dwelt, the same dark relics of
Public-domain text, read in full here on John Shaqi.
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