Art -- Italy -- Venice; Venice (Italy) -- Description and travel
may see it from the Palazzo Ducale on a morning of sunshine and east
wind; that indomitable intensity of colour, unveiled, resplendent,
filled to the brim with the whole radiance and strength and glory of
the day--that is the girdle of Venice, the cup she drank of in her
strength. But it is clear that she had bowed to a new dominion: with
the ocean she wedded the world.
The lagoons are full of mysteries of light; they are a veritable
treasure ground of illusion. They are not one expanse of water over
which the light broods with equable influence; they form a region
of various circles, as it were, of various degrees of remoteness or
tangibility. Almost one feels that each circle must be inhabited by
a spirit appropriate to itself, and that a common language could not
be between them, so sharp are the limits set by the play of light.
On an early autumn morning when the sky is clear and the sun streams
full and level upon the clear blue expanse that separates Venice and
Mestre, we seem to have a firm foothold on this dancing water. It is
a substantial glory; but as our eye flits on from jewel to jewel in
the clear blue paving, a sudden line is drawn beyond which it may not
pass. The rich flood of vital colour has its bound, and beyond it
lies a region bathed in light so intense that even colour is refined
into a mystic whiteness--a mirror of crystal, devoid of substance,
infinitely remote; and above it, suspended in that lucent unearthly
atmosphere, hover the towers of Torcello and Burano, like a mirage
of the desert, midway between the water and the sky. They hang there
in completest isolation, yet with a precise definition, a startling
clearness of contour. There is no vestige of other buildings or of the
earth on which they stand, only the dome and campanile of Murano, the
leaning spire of Burano and Mazzorbo’s lightning-blasted tower, their
reflections distinctly mirrored in a luminous medium, half mist, half
water. There is an immense awe in the vision of these phantoms, caught
up into a region where the happy radiant colour dares not play; and
yet not veiled--clearer in what they choose to reveal than the near
city strong and splendid in the unreserve of the young day, but so
unearthly, so magical, that our morning spirits scarcely dare accost
them. What boat shall navigate that shining nothingness that divides
them from our brave and brilliant water?
Public-domain text, read in full here on John Shaqi.
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