Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
From the Campo della Guerra at the back of the church we proceed E.,
cross the Ponte della Guerra, and continue along the calle until we
reach, L., the Salizzada S. Lio. The second calle, to the R., along the
salizzada is the picturesque Calle del Paradiso, which leads to the
Ponte Paradiso. As we near the bridge we note a beautiful Gothic gable
bearing the arms of the Foscari and the Mocenighi, and a fine
fourteenth-century relief of the Virgin and Child and a donor. We cross
the modern bridge which has replaced the fine old Ponte Paradiso, turn
R., over the Ponte dei Preti, and emerge on the spacious Campo. S. Maria
Formosa is one of the earliest of Venetian churches (p. 23) but entirely
restored after the earthquake of 1689. Palma Vecchio’s grandiose St
Barbara, for which his daughter Violante is said to have stood as model,
stands over the first altar on the R. It is one of the most insistent of
Venetian paintings. The composition is in six compartments. R. and L.
are SS. Anthony and Sebastian; above is the Virgin of Mercy between the
Baptist and St Dominic. The church has also an early work by Bart.
Vivarini, a Pietà by Palma Giovane, and a Last Supper by Bassano.
We traverse the campo in a N.E. direction to the calle Lunga, which we
follow to the end. Here we turn L. along the Fondamenta Tetta, cross the
bridge and enter the calle of the same name which leads to the Ponte and
Calle Ospedaletto; the end of the calle debouches on the Salizzada SS.
Giovanni e Paolo. We turn L., noting to the R. the towering brick apse
of the huge church of the Preaching Friars, due to the piety of Doge
Giacomo Tiepolo (p. 78). The monastery was begun in 1236, the church
twelve years later. The conventual buildings (now part of the civic
hospital) were finished in 1293, and the church was not ready for
consecration until 1430, when it was dedicated to the martyred Roman
soldiers SS. John and Paul, and became popularly known as S. Zanipolo.
To the L. before we enter are the tombs of Doge Giacomo Tiepolo
(1249)[107] and Doge Lorenzo Tiepolo his brother (1275).
Public-domain text, read in full here on John Shaqi.
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