Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
We retrace our steps, and before leaving the campo turn L. by the Calle
della Vida, again to the L., and on the R. down the Calle and Corte
Contarini del Bovolo reach a beautiful early Renaissance spiral
staircase and a Byzantine well-head. We return to the Campo Morosini, at
the farther end of which, on the R., is the church of S. Vitale (Vidal),
which has a late Carpaccio, S. Vitale on horseback, accompanied by
Valeria his wife, his sons Gervasius and Protasius, and other saints. We
cross the Grand Canal by the iron bridge, leave the Accademia to the R.,
turn E. by the calle Nuova S. Agnese, and, after crossing a bridge,
reach the church of S. Vio, demolished in 1813 and rebuilt in 1864. A
few of the fragments of Tiepolo’s house were incorporated in the new
building (p. 109). The church is only open once a year, S. Vio’s day,
but admission at other times may be obtained by applying at the stone
mason’s, next door. The Campo S. Vio is associated with one of the most
charming legends of Venice. Here lived the blessed Contessa
Tagliapietra, whose insistent devotion and frequent visits to a priest
at S. Maurizio, on the opposite side of the Grand Canal, were deemed
unseemly by her family. Entreaties proving vain, the ferrymen were
forbidden to row her across; whereupon the Countess took a thread, laid
it upon the waters, and crossed to her devotions without human aid.
[Illustration: PALAZZO CONTARINI, WITH SPIRAL STAIRCASE AND BYZANTINE
WELL-HEAD]
[Illustration: S. MARIA DELLA SALUTE]
Public-domain text, read in full here on John Shaqi.
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