Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
The wanderer who cares for the more silent and intimate charm of Venice
will, on the arrival of the steamer, turn aside from the thronged and
dusty road to the bathing pavilion, follow to the N.E. the Via S.
Nicolo, and walk[122] along the shore by meadows bright in spring-time
with blue salvia and the star of Bethlehem to the restored
eleventh-century church of S. Nicolo inside the fort. The tomb of the
founder (Doge Dom. Contarini) stands over the portal, and in a small
chamber in the L. transept, now used as a lumber room, a short
inscription of a dozen words tells that there lie the ashes of the stout
old Imperial Vicar, “Famous Taurello Salinguerra, sole i’ the
world,”[123] who for seven months held Ferrara (p. 77) for his master,
the great Frederick, against the allied forces of the Venetians and of
the Lombard League. Here in olden times the galleys and argosies of the
Republic called to take in sweet water for the voyage and to pray for
protection to the mariners’ patron saint, and here stood a fair and
costly lighthouse. We retrace our steps to the Jewish cemetery and turn
L. down a country lane which we follow as far as the Villa la Favorita;
we turn again L. and reach the shore of the open Adriatic, saturated
with indescribable tones of blue, from palest turquoise to deepest
ultramarine, and dotted with the rich yellow and orange sails of fishing
craft.
The walk may be pursued along the grass-grown ramparts of the old
Austrian fort to the left, or we may turn to the more material
seductions of the Stabilimento dei Bagni to the right.
SECTION XX
_Chioggia_
[Illustration: VENICE FROM THE SOUTH]
A still finer view of the Lidi is obtained by a voyage to Chioggia and
back on the steamers which start from the Riva some half-dozen times
daily, and if the voyager happen on a sunny, vaporous day he will enjoy
a feast of gorgeous colour almost cloying in its richness.
Public-domain text, read in full here on John Shaqi.
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