Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
On loosing from the Riva we steam along the canal Orfano, the legendary
scene of the slaughter of the Franks and pass the islands of S. Servolo
(now the lunatic asylum), S. Lazzaro with the Armenian convent and
printing-press, S. Spirito and Poveglia. Beyond the porto of Malamocco
on the lido of Pellestrina, a few hundred yards to the south of S.
Pietro in Volta, stands the little village of Porto Secco on the
filled-up porto of Albiola, where the first stand was made against Pepin
and his host (p. 16). The beautiful lines of the low-lying Euganean
hills have long been in sight, and the richly coloured sails of the
Chioggian fishing craft. We pass the porto of Chioggia and enter the
harbour. It is said that the old Venetians were wont to distinguish each
of the porti by the colour of the water that flowed through: Tre Porti
on the N., which gives on the Torcello and Burano group of islands,
being yellow; S. Erasmo (now filled up), blue; Lido, red; Malamocco,
green; Chioggia, purple. Chioggia, to the jaded sightseer, has the
inestimable advantage of offering nothing of interest save the
descendants of a fine and stalwart race of islanders still retaining
some of their old characteristic traits of costume and language. The
admirable view of Venice as we return in the evening, gradually rising
with her domes and towers from the sea, is not the least delightful part
of a restful and charming excursion.
L’ENVOI
“The word _Venetia_,” says Francesco Sansovino, “is interpreted by some
to mean VENI ETIAM, which is to say, ‘Come again and again’; for how
many times soever thou shalt come, new things and new beauties thou
shalt see.”
APPENDIX I
LIST OF DOGES
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