Venice : $b The queen of the AdriaticWaters, Clara Erskine Clement
History
Venice : $b The queen of the Adriatic
Waters, Clara Erskine Clement
Venice (Italy)
Orseolo had set out on his expedition on Ascension Day, and on its
first anniversary the Feast of La Sensa was inaugurated. In a large
barge, quite concealed by its covering of cloth of gold, the clergy
in their richest vestments, wearing all the sacred jewels and
ornaments, left the olive-groves of San Pietro in Castello, and at
the Lido met the still more magnificent barge of the Doge. Then, as
in later days, every sort of boat that could be used in all Venice
was there, filled with all conditions of people.
The ceremony began with litanies and psalms, after which the Bishop
rose and prayed aloud: "Grant, O Lord, that this sea may be to us and
to all who sail upon it tranquil and quiet. To this end we pray.
Hear us, good Lord." Then the singers intoned, _Aspergi me, O
Signor_ (Cleanse thou me, O Lord), while the two barges approached
each other, and the Bishop sprinkled the Doge and the Court with holy
water, and what remained was poured into the sea.
This simple religious rite, celebrated in the enchanting atmosphere
of the lovely, blooming season of the year, must have deeply moved
the hearts of those who went down to the sea in ships, as who did not
in Venice? It was perfectly adapted to the initial years of a
Republic when aristocratic rule was in its infancy; but two centuries
later all was changed, and the Sposalizio was in accord {13} with
Ziani and his aims as truly as La Sensa represented Orseolo.
There are those who question all the story of the romantic incidents
of Pope Alexander's visit to Venice. To them we would give the
customary and most satisfactory answer of the Venetians: "Is it not
depicted in the Hall of the Great Council? If it had not been true,
our good Venetians would never have painted it."
THE BOATS OF MODERN VENICE.
Most of the craft one sees in Venice now are vastly different from
those we have been thinking of. The gondolas, alas! all look as if
ready for a funeral,--black, only sombre black. This seems an
unnecessary extension of the time when the sins of the fathers shall
be visited on the children; for many more than three or four
generations have perambulated these fascinating waters in these
dismal boats. Why should the undue extravagance of the past, which
was curbed by this monotonous gloom, forbid a bit of cheerfulness
now, hundreds of years later?
It may be fortunate that the Bucentaur went up in fervent heat, for
it is more than possible that it might not have realized our ideal of
what it should be; and now each one can gaze in imagination at just
what he would have made it if he could. But we would like to have
some galleys remaining, and rowed by slaves or prisoners. It would
afford an outlet for sympathy and pity, the exercise of which virtues
is good for us, and which are so often, even in Venice, bestowed on
those who neither merit nor need them.
Public-domain text, read in full here on John Shaqi.
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