Venus Equilateral
By George O. Smith
_Illustrations by_
SOL LEVIN
_Introduction by_ JOHN W. CAMPBELL, JR.
THE PRIME PRESS
Philadelphia
1949
[Transcriber's Note: Extensive research did not uncover any
evidence that the U.S. copyright on this publication was renewed.]
Copyright 1942, 1943, 1944, 1945
by Street and Smith for
Astounding Science Fiction
Copyright 1947 by
THE PRIME PRESS
First printing, 1947
Reprinted, 1949
THE PRIME PRESS
Box 2019--Philadelphia 3, Pa.
MANUFACTURED IN THE UNITED STATES
_Dedication_:
_To James Clerk Maxwell, whose Electromagnetic
Equations founded the art of electronics and
thus made Venus Equilateral possible...._
_And to my son, George O. Smith (Jg),
who may some day work there._
CONTENTS
INTRODUCTION _by John W. Campbell, Jr._
QRM--INTERPLANETARY
CALLING THE EMPRESS
RECOIL
OFF THE BEAM
THE LONG WAY
BEAM PIRATE
FIRING LINE
SPECIAL DELIVERY
PANDORA'S MILLIONS
MAD HOLIDAY
INTRODUCTION
Sometimes it's a little hard to get people to realize that not only has
the world changed in the past, but that it is changing now, and will
change in the future. In fact, it takes something on the order of an
atomic bomb to blast them out of their congenital complacency.
And it took the literally shocking violence of the atomic bomb to make
the general public understand the fact that science-fiction is _not_
"pseudo-science" (that's what you find in Sunday Supplements--fiction,
pretending to be science) but an entirely different breed of
thing--fiction stories based on science, and attempting to extrapolate
the curves of past development into future years. On August 6, 1945,
people suddenly discovered that that fool fantasy stuff about atomic
bombs hadn't been quite so fantastic as they had--well, to be brutally
frank, _hoped_.
Their immediate reactions were that a good guess or two, a chance,
coincidental correspondence between fiction-fantasy and fact, didn't
mean much. Still, relatively few people have learned to understand how
science-fiction originates--why it does successfully predict.
Public-domain text, read in full here on John Shaqi.
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