“To fall asleep in your clothes and with a book besides.” He snuffed
the candles which had burned down, and picked up the volume which had
fallen from my hand, “with a book by”—he looked at the title page—“by
Hegel. Besides it is high time you were starting for Mr. Severin’s who
is expecting us for tea.”
“A curious dream,” said Severin when I had finished. He supported his
arms on his knees, resting his face in his delicate, finely veined
hands, and fell to pondering.
I knew that he wouldn’t move for a long time, hardly even breathe. This
actually happened, but I didn’t consider his behavior as in any way
remarkable. I had been on terms of close friendship with him for nearly
three years, and gotten used to his peculiarities. For it cannot be
denied that he was peculiar, although he wasn’t quite the dangerous
madman that the neighborhood, or indeed the entire district of Kolomea,
considered him to be. I found his personality not only interesting—and
that is why many also regarded me a bit mad—but to a degree
sympathetic. For a Galician nobleman and land-owner, and considering
his age—he was hardly over thirty—he displayed surprising sobriety, a
certain seriousness, even pedantry. He lived according to a minutely
elaborated, half-philosophical, half-practical system, like clock-work;
not this alone, but also by the thermometer, barometer, aerometer,
hydrometer, Hippocrates, Hufeland, Plato, Kant, Knigge, and Lord
Chesterfield. But at times he had violent attacks of sudden passion,
and gave the impression of being about to run with his head right
through a wall. At such times every one preferred to get out of his
way.
While he remained silent, the fire sang in the chimney and the large
venerable samovar sang; and the ancient chair in which I sat rocking to
and fro smoking my cigar, and the cricket in the old walls sang too. I
let my eyes glide over the curious apparatus, skeletons of animals,
stuffed birds, globes, plaster-casts, with which his room was heaped
full, until by chance my glance remained fixed on a picture which I had
seen often enough before. But to-day, under the reflected red glow of
the fire, it made an indescribable impression on me.
It was a large oil painting, done in the robust full-bodied manner of
the Belgian school. Its subject was strange enough.
A beautiful woman with a radiant smile upon her face, with abundant
hair tied into a classical knot, on which white powder lay like a soft
hoarfrost, was resting on an ottoman, supported on her left arm. She
was nude in her dark furs. Her right hand played with a lash, while her
bare foot rested carelessly on a man, lying before her like a slave,
like a dog. In the sharply outlined, but well-formed linaments of this
man lay brooding melancholy and passionate devotion; he looked up to
her with the ecstatic burning eye of a martyr. This man, the footstool
for her feet, was Severin, but beardless, and, it seemed, some ten
years younger.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account