English fiction -- 19th century; Historical fiction; Italy -- History -- 476-774 -- Fiction
Save for the hours she passed at her father's side, Aurelia kept a
strict retirement, guarded by the three female slaves whom Petronilla
had reluctantly assigned to her. Of them she required no intimate
service, having her own attendants, an elderly woman, the nurse of her
childhood, who through all changes of fortune had never quitted her,
and a younger, half-Goth, half-Italian, who discharged humbler duties.
She occupied a small dwelling apart from the main structure of the
villa, but connected with it by a portico: this was called the House of
Proba, it having been constructed a hundred years ago for the lady
Faltonia Proba, who wrote verses, and perhaps on that account desired a
special privacy. Though much neglected, the building had beauty of
form, and was full of fine work in mosaic. Here, in a little peristyle,
where shrubs and creepers had come to wild growth, the sore-hearted
lady sat brooding or paced backwards and forwards, her eyes ever on the
ground. When yet a maiden she had several times spent summer at
Surrentum; her memory revived that early day which seemed so long ago;
she lived again with her brothers and sisters, all dead, with her
mother whom griefs had aged so soon. Then came a loveless marriage,
which soon involved her in the public troubles of the time; for her
husband, whose estates lay in Tuscany, was robbed of all by Theodahad,
and having vainly sought redress from the young King Athalaric, decided
to leave Italy for Byzantium, to which end Aurelia sold a property in
Campania, her dower. Before they could set forth upon their journey,
her husband caught the plague and died. In second wedlock she would
have known contentment but for the alienation of her kin and the
scornful hostility of all her class. When widowhood again befell her
she was saved from want by a small treasure of money which remained
hidden in the dwelling at Cumae when the Gothic warrior, her lord,
escaped from Belisarius. As this store diminished, Aurelia had looked
forward with dread, for she hoped nothing from her father. And now that
such fears seemed to be over, her long tortured pride clamoured for
solace. It was not enough to regain her father's love and enjoy an
inheritance; she wished to see her enemies at her feet, and to trample
upon them--her enemies being not only Petronilla and certain other
kinsfolk but all the nobility of Rome, nay, all the orthodox of the
Christian church. Pacing, pacing alone, she brooded vast schemes of
vengeance.
Public-domain text, read in full here on John Shaqi.
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