Verena in the Midst: A Kind of a StoryLucas, E. V. (Edward Verrall)
General
Verena in the Midst: A Kind of a Story
Lucas, E. V. (Edward Verrall)
England -- Social life and customs -- 20th century -- Fiction; Epistolary fiction; Invalids -- Fiction
I hope you are steadily improving. As a good name for the City Man’s
Cinema will be an advantage, perhaps you would like to be thinking of
one.—Yours sincerely,
HORACE MUN-BROWN
XXIX
RICHARD HAVEN TO VERENA RABY
DEAR VERENA, I am finding, to my horror, that the poets when at their
briefest are usually concerned with mortality: and not necessarily
because the space on a tombstone is restricted and they are writing for
the stone-cutter, although that may have been an influence, but from
choice. Yet as it is my belief that we ought to familiarize ourselves
with the idea of death (and indeed the War forced us overmuch to do so)
you mustn’t mind an epitaph or two now and then, particularly when they
are beautiful. Or shall we get them all over at once—and illustrate
my discovery too? The most famous of all, the epitaph on the Countess
Dowager of Pembroke, every one knows:—
Underneath this sable Hearse
Lies the subject of all verse:
Sidney’s sister, Pembroke’s mother:
Death, ere thou hast slain another
Fair, and Learn’d, and Good as she,
Time shall throw a dart at thee.
But I like hardly less the elegy on Elizabeth L. H. It is longer—longer
indeed than the eight-line limit that we have set ourselves—but I have
cut off the end, which is inferior:—
Wouldst thou hear what Man can say
In a little? Reader, stay.
Underneath this stone doth lie
As much Beauty as could die:
Which in life did harbour give
To more Virtue than doth live.
If at all she had a fault,
Leave it buried in this vault.
Then there is Herrick’s “Upon a Child that Died”—another inspiration:—
Here she lies, a pretty bud,
Lately made of flesh and blood:
Who as soon fell fast asleep
As her little eyes did peep.
Give her strewings but not stir
The earth that lightly covers her.
With these, which are Tudor or early Stuart, I would associate the Scotch
epitaph on Miss Lewars:—
Say, sages, what’s the charm on earth
Can turn Death’s dart aside?
It is not purity and worth,
Else Jessie had not died.
And Stevenson’s best known poem is an epitaph too:—
Under the wide and starry sky
Dig the grave and let me lie:
Glad did I live and gladly die,
And I laid me down with a will.
This be the verse you grave for me:
_Here he lies where he long’d to be;_
_Home is the sailor, home from the sea,_
_And the hunter home from the hill._
But enough of mortality! Let me tell you a little thing that happened
yesterday. An Italian I used to know, a clerk, who has been in England
for three or four years, came in to say goodbye. He is going home.
“You’ll be glad to be seeing your wife again after all this long while,”
I said.
He pondered. “My wife, I don’t know,” he replied at last: “but my leetler
boy, Oh, yais!”—Good night, my dear.
R. H.
Public-domain text, read in full here on John Shaqi.
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