The renown obtained by this admirable work brought Veronese a host of orders. The various cities vied with each other to secure him to decorate their churches or their convents. His first patron, the Prior Torlioni, ordered a picture from him for the convent of San Sebastiano, the church of which he had already decorated. Veronese, by no means ungrateful, painted for him the _Feast at the House of the Leper_, in 1570; three years later he painted for the dominican monastery of San Giovanni e Paolo the _Feast at the House of Levi_, to decorate one side of the refectory. The monks had only a modest sum at their disposal and tremblingly offered it to the now celebrated painter; they naïvely added the donation of a few casks of wine. Veronese exhibited the most complete disinterestedness by accepting these humble offers of the Prior. This was his third _Feast_. The fourth, known under the name of the _Feast at the House of Simon the Pharisee_, was executed for the refectory of the Brotherhood of Servites. It represents Magdalen on her knees, wiping the feet of Christ with her hair. This painting now hangs in the Louvre, opposite the _Wedding at Cana_. It has been the property of France for two centuries, and the history of its acquisition by Louis XIV is curious enough to be worth the telling. Colbert, having learned that Spain had negotiated for the purchase of the _Feast at the House of Simon_, resolved to go to any lengths in order to acquire it himself, on behalf of Louis XIV. The French ambassador to Venice, Pierre de Bonzi, was charged with the negotiations. To address himself directly to the Servites was impossible, since there was a law in the Venetian Republic forbidding the sale and exportation of any native works of art. Bonzi pursued the course of informing the Signoria of his royal master's wish. The Signoria, desirous of securing the good will of the great king, without violating her own laws, purchased with public funds the picture from the Servites, and straightway offered it to Louis XIV, who returned warm thanks to his "very dear and great friends, allies and confederates, after having seen this rare and most perfect original." VERONESE AND THE INQUISITION These four _Feasts_ of Veronese won him a widespread renown. But there were certain hostile spirits, uncompromising traditionalists, to whom the fantastic elements which he introduced into the composition of his religious pictures were necessarily strongly displeasing. To introduce dwarfs, buffoons, men at arms under the influence of liquor, at a feast where Jesus and his disciples take part,--did not this savour of irreverence, nay, worse than that, of heresy? The _Feast at the House of Levi the Publican_, executed for the convent of San Giovanni e Paolo, in which Veronese had given free rein to his imagination, was denounced to the Holy Office, and on July 18, 1573, the artist was summoned before the tribunal of the Inquisition.