Avenues of broad white houses,
Basking in the noontide glare;—
Streets, which foot of traveller shrinks from,
As on hot plates shrinks the bear;—
Elsewhere lawns, and vista’d gardens,
Statues white, and cool arcades,
Where at eve the German warrior
Winks upon the German maids;—
Such is Munich:—broad and stately,
Rich of hue, and fair of form;
But, towards the end of August,
Unequivocally _warm_.
There, the long dim galleries threading,
May the artist’s eye behold,
Breathing from the “deathless canvass”
Records of the years of old:
Pallas there, and Jove, and Juno,
“Take” once more “their walks abroad,”
Under Titian’s fiery woodlands
And the saffron skies of Claude:
There the Amazons of Rubens
Lift the failing arm to strike,
And the pale light falls in masses
On the horsemen of Vandyke;
And in Berghem’s pools reflected
Hang the cattle’s graceful shapes,
And Murillo’s soft boy-faces
Laugh amid the Seville grapes;
And all purest, loveliest fancies
That in poets’ souls may dwell
Started into shape and substance
At the touch of Raphael.—
Lo! her wan arms folded meekly,
And the glory of her hair
Falling as a robe around her,
Kneels the Magdalene in prayer;
And the white-robed Virgin-mother
Smiles, as centuries back she smiled,
Half in gladness, half in wonder,
On the calm face of her Child:—
And that mighty Judgment-vision
Tells how man essayed to climb
Up the ladder of the ages,
Past the frontier-walls of Time;
Heard the trumpet-echoes rolling
Through the phantom-peopled sky,
And the still voice bid this mortal
Put on immortality.
* * *
Thence we turned, what time the blackbird
Pipes to vespers from his perch,
And from out the clattering city
Pass’d into the silent church;
Marked the shower of sunlight breaking
Thro’ the crimson panes o’erhead,
And on pictured wall and window
Read the histories of the dead:
Till the kneelers round us, rising,
Cross’d their foreheads and were gone;
And o’er aisle and arch and cornice,
Layer on layer, the night came on.
CHARADES.
I.
SHE stood at Greenwich, motionless amid
The ever-shifting crowd of passengers.
I marked a big tear quivering on the lid
Of her deep-lustrous eye, and knew that hers
Were days of bitterness. But, “Oh! what stirs”
I said “such storm within so fair a breast?”
Even as I spoke, two apoplectic curs
Came feebly up: with one wild cry she prest
Each singly to her heart, and faltered, “Heaven be blest!”
Public-domain text, read in full here on John Shaqi.
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