Very woman (Sixtine) : $b a cerebral novelGourmont, Remy de
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Very woman (Sixtine) : $b a cerebral novel
Gourmont, Remy de
French fiction -- Translations into English
We return to the château. Everybody has surrendered to the rare
pleasure of retiring early. Only Fortier awaits us, to conduct me to my
room. It seems that a friend of the countess is enthusiastic about the
_Revue spéculative_ and is going to espouse it under a dotal system,
making it an allowance of fifty thousand francs, which it lacks. This
Fortier has a mania for offering incomprehensible metaphors.
"Some one is going to put fifty thousand francs into the _Revue_!"
"Precisely."
"And you will become?"
"Editor in chief instead of director."
"And the director?"
"A pseudonym." I know Fortier; he will not take offense.
"Now, confess that it is the countess." He smiles and immediately
gallops across the faded fields of the dithyramb:
"She is charming, generous, devoted to art, and without personal
ambition."
"Except to be loved?"
"I charge myself with that."
This unconstraint interests my natural curiosity, and with little
contradictions powdered with some skepticism, I excite him to the
point where he tells me everything. He was presented by Malaval, who
remarked that his elegance of a clipped dog would turn the head of
the countess. It was an embarrassing introduction, but Fortier showed
wit--so he claims. There followed allurements, sly winks, the habit of
quarreling with each other, an absence, several letters wherein a light
tenderness fluttered. She was alone when he returned. Without speech,
their arms outstretched--there they were, trembling and lovers. Fortier
is incapable of inventing and, perhaps, of lying. He even has the air
of finding this natural and fatal. It had to happen.
"Is it not so?"
"Doubtless."
I take leave of him. Before departing, he asks me to furnish some
pages for the first number of _la Spéculative_, new series. This line
finished, I go to sleep, but why is this room called the portrait
chamber?
_September 13, morning_.--I have dreamed of this portrait and I seek
it in every corner, in every section of the walls. The room is quite
remarkably bare: a uniform gray paper; above the Empire fireplace, a
looking glass which reaches to the ceiling; the bed occupies one of the
sides of the floor; to the right of the door, a bookcase contains some
old books; to the left is a chest of drawers topped with a new mirror;
opposite are two windows; between the two windows, a dressing table and
another glass. Nothing else.
_September 14, evening_.--We took an excursion to Roches-Noires.
Monsieur B----, who was our guide, killed a snake with a few blows of
a little stick. Then, Madame Magne took the reptile and in an instant
made a bracelet of the still moving creature. The countess uttered a
cry, the viper had to be thrown into a hole, and I reflected upon the
biblical and singular sympathy between women and serpents, for the
countess cried without sincerity and Madame de B----. pitied the poor
creature of the good Lord.
Public-domain text, read in full here on John Shaqi.
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