Very woman (Sixtine) : $b a cerebral novelGourmont, Remy de
General
Very woman (Sixtine) : $b a cerebral novel
Gourmont, Remy de
French fiction -- Translations into English
(End of the Travel Notes).--There, in fact, ended the scribbled pages,
Hubert having betaken himself to dream of his impressions instead of
transcribing them. He did not wish to write them down too late, without
some necessary preliminary moments, so as not to take the risk of
confounding the chronology of the little things whose logical order
is of prime importance. The remainder of the notebook was white. Yet
when he perused them later, he perceived a sheet of loose paper where
could be traced some intentions of poetry. This more narrowly fixed his
thoughts upon Sixtine: it was truly with her that he was concerned in
his prose, in his verses, in his life.
CHAPTER VI
DREAM FIGURE
"O Créateur de l'universel monde,
Ma pauvre âme est troublée grandement!"
Heures _à l'usaige de Paris_, 1488.
Sixtine was far from him, and yet he believed that he saw her nearby.
All afternoon he preserved the illusion of walking in her company. She
suddenly appeared in a dress of changing colors: the cloth, a light and
pale green silk, had golden clasps. Her shoes made no sound; her smile,
instead of speech, and diverse inflexions of her muscles, expressed her
thoughts; nevertheless, but only once, he positively heard the sound
of her voice. "So you would like me to tell you the history of the
portrait chamber?" Preoccupied in establishing the fundamental sound of
the recovered sequence which for an instant tyrannized him, Entragues
listened to the question without immediately perceiving its sense. He
was going to reply and agree, but Sixtine, under the parasol which she
had opened, was reading and he dared not disturb her. The parasol,
too, by its oddness, caused his mind to wander. It was of such limpid
and transparent yellow that through it he beheld, barely shaded by a
luminous shadow, the shoulders of Sixtine and her head bent upon the
book.
They walked along the quay, from the rue du Bac, where he had begun to
feel her presence, to the Saint-Michel Square. The charming, shining
Seine was iridescent with the play of oblique rays striking against its
current; sparkling foam fell on the prows; the fringe of the bank was
dotted with sails on which a keen wind played; the canvas crackled like
flames; the lines of anchored boats here and there rumbled under the
shock; the multicolored parapets retreated.
Entragues bought no lexicon; he looked at the serried backs of books,
without even reading the black or golden titles.
In a deserted spot, along the wooden balustrade, and as the first gas
light flickered in a _café_, he was accosted by a young man who passed
as a poet, perhaps because of the rare beauty of his face.
"How singular! You are alone, yet one would swear that an invisible
person accompanied you."
"I am now alone, my dear Sanglade."
Public-domain text, read in full here on John Shaqi.
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