Landa tells us that it was the custom, even at the time of the Spanish conquest, when a person of eminence died to make images of stone, or terra cotta or wood in the semblance of the deceased, whose ashes were placed in a hollow made on the back of the head for the purpose. Feeling sorry for having thus disturbed the remains of _Chaacmol_, so carefully concealed by his friends and relatives many centuries ago; in order to save them from further desecration, I burned the greater part reserving only a small quantity for future analysis. This finding of the heart and brains of that chieftain, afforded an explanation, if any was needed, of one of the scenes more artistically portrayed in the mural paintings of his funeral chamber. In this scene which is painted immediately over the entrance of the chamber, where is also a life-size representation of his corpse prepared for cremation, the dead warrior is pictured stretched on the ground, his back resting on a large stone placed for the purpose of raising the body and keeping open the cut made across it, under the ribs, for the extraction of the heart and other parts it was customary to preserve. These are seen in the hands of his children. At the feet of the statue were found a number of beautiful arrowheads of flint and chalcedony; also beads that formed part of his necklace. These, to-day petrified, seemed to have been originally of bone or ivory. They were wrought to figure shells of periwinkles. Surrounding the slab on which the figure rests was a large quantity of dried blood. This fact might lead us to suppose that slaves were sacrificed at his funeral, as Herodotus tells us it was customary with the Scythians, and we know it was with the Romans and other nations of the old world, and the Incas in Peru. Yet not a bone or any other human remains were found in the mausoleum.