Via Crucis: A Romance of the Second CrusadeCrawford, F. Marion (Francis Marion)
General
Via Crucis: A Romance of the Second Crusade
Crawford, F. Marion (Francis Marion)
Crusades -- Second, 1147-1149 -- Fiction
She was as tall as the King, but whereas he was heavily and awkwardly
built, her faultless proportion made an ungraceful movement an
impossibility, and the rhythmic ease of her slightest gesture expressed
an unfaltering bodily energy which no sudden fatigue nor stress of long
weariness could bring down. When she moved, Gilbert wished that he
might never see her in repose, yet as soon as the motion ceased, it
seemed a crime upon beauty to disturb her rest.
Her face and her throat, uncovered to the strong morning light, were of
a texture as richly clear as the tinted leaves of young orange-blossoms
in May; and like the flowers themselves, it seemed to rejoice in air
and sun, in dew and rain, perfected, not marred, by the touch of heat
and cold. The straight white throat rose like a column from the neck to
the delicate lobe of the faultless ear, and a generously modelled line
sprang in a clean curve of beauty to the sudden rounding of the ivory
chin, cleft in the midst by nature's supreme touch. Low on her forehead
the heavy waves of her hair were drawn back to each side under the
apple-green silk coverchief that was kept in place by the crown of
state. But she wore no wimple, and the broad waves flowed down upon her
shoulders and hung behind her like a heavy mantle. And they were of
that marvellous living hue, that the westering sun casts through oak
leaves upon an ancient wall in autumn. All in her face was of light,
from her hair to her white forehead; from her forehead to her radiant
eyes, deeper than sapphires, brighter than mountain springs; from the
peach-blossom bloom of her cheeks to the living coral of her lips.
She wore a close-fitting upper garment of fine green cloth, embroidered
with a small design in silver thread, in which the heraldic cross of
Aquitaine alternated with a conventional flower. The girdle of fine
green leather, richly embroidered in gold, followed exactly the lower
line of this close garment round the hips, and the long end fell
straight from the knot almost to the ground. The silken skirt in many
folds was of the same colour as the rest, but without embroidery. The
mantle of state, of a figured cloth of gold lined with straw-coloured
silk, hung in wide folds from her shoulders, her hair falling over it,
and it was loosely held in place by a twisted cord of gold thread
across her breast. Contrary to the fashion of the day, her sleeves were
tight and closed at the wrists, and green gloves encased her hands, and
were embroidered on the back with the cross of Aquitaine.
Gilbert was standing two steps behind young Henry, who was on his
father's left, and was consequently directly opposite to the Queen, as
the boy bent one knee, and taking her gloved hand, touched the
embroidery with his lips. Gilbert was hardly aware that she was looking
into his eyes, while his own were riveted on her face, and when she
spoke, he started in surprise.
Public-domain text, read in full here on John Shaqi.
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