Victor Hugo: His Life and WorkSmith, George Barnett
General
Victor Hugo: His Life and Work
Smith, George Barnett
Authors, French -- 19th century -- Biography; Hugo, Victor, 1802-1885
With the production of this play dates Victor Hugo's final abandonment
of the stage. Strange fate this for a writer for whom Charles Nodier
claimed the honour of being, after Rabelais and Molière, one of the most
original geniuses that French literature ever saw. But the dramatist was
disgusted with the literary hostility, the political insincerity, and
the personal antipathy which abounded, and although he had a play, _Les
Jumeaux_, which had never been produced, he resolved to give no more of
his writings to the stage. He was repeatedly pressed in after years to
depart from this resolution, but in vain. 'My decision is final,' he
said on one occasion. 'Under no pretext shall any more of my plays
appear on the stage during my life.'
The poet wrote several plays not for publication after this time, and
one of them, _Torquemada_, has been published. Others, named
respectively _L'Épée_, _La Grand'mère_, and _Peut-être Frère de
Gavoche_, will only appear posthumously. That there will be in them
characters which will live, and that the plays themselves are such as to
enhance the public view of Victor Hugo's dramatic talents, are points
upon which we have explicit assurances from those who have had the
privilege of listening to the pieces as read by the late venerable
author himself.
CHAPTER VIII.
THE FRENCH ACADEMY.
A seat amongst the 'forty Immortals' is the high and honourable aim of
every distinguished Frenchman. But the chequered history of the Academy
since its formation by Richelieu two centuries and a half ago, furnishes
another evidence of the truth that merit does not always secure its just
reward. Again and again have men illustrious in letters been passed
over, whilst those who had no claim upon the nation's regard have
snatched fortuitous honours by unworthy means. Amongst those who knocked
on more than one occasion at the doors of the French Academy in vain,
was Victor Hugo. That such a man must be ultimately successful was
beyond a doubt; but it says little for the Academy that it failed to
recognise his claims until its hostile attitude had become a scandal to
literature.
Public-domain text, read in full here on John Shaqi.
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