Victor Hugo: His Life and WorkSmith, George Barnett
General
Victor Hugo: His Life and Work
Smith, George Barnett
Authors, French -- 19th century -- Biography; Hugo, Victor, 1802-1885
The time had now come in which he demanded a larger scope. His ideas had
expanded, and while not abandoning the life contemplative, he desired to
become in some way the man of action, and to mingle in the literary and
political conflicts going forward around him. Taxed with forsaking the
study of Nature, the poet replied that he still loved that holy mother,
but in this century of adventure a man must be the servant of all.
Reviewing his political position, he felt that he had more than paid his
debt to the fallen monarchy, while he could at the same time
conscientiously acknowledge Louis Philippe. The recollection of a
pension was balanced by the confiscation of a drama, observes Madame
Hugo, and he was now his own master to follow out his convictions. In
the adoption of a public career there were two courses nominally open to
him. But with respect to one of these, that of entering the Chamber of
Deputies, he was met by an obstacle which completely disbarred him. He
was not a wealthy man, and by the electoral law of that day only wealthy
men could become deputies. Moreover, if he could have secured by some
means a nominal qualification, the electors looked askance upon literary
men. They regarded them as more fitted for the quietude of the study
than the bustling activity of the tribune. Lamartine was a deputy, it is
true, but he was a rare exception.
Abandoning all idea of the Chamber of Deputies at that time, Victor Hugo
next thought of the Chamber of Peers. But here again he was met by a
practical difficulty. In the selection of peers the King could only
choose men who had attained to certain dignities; and in Hugo's case
election to the Academy was the only qualifying dignity that was open to
him. To the Academy accordingly he appealed. The first vacancy occurred
in 1836. But Victor Hugo had enemies, and amongst these was Casimir
Delavigne, who had considerable weight amongst the Forty. M. Barbou
states that 'the poet of the imperial era was sickly and asthmatic, and
he detested Victor Hugo simply for his robustness and power.' When Dumas
canvassed Delavigne in the interest of his friend, the author of
_Notre-Dame_, Delavigne replied with warmth that he would vote for Dumas
with all his heart, but for Hugo never. The Academicians elected M.
Dupaty, probably on the principle that his fame was of such a restricted
character that it could not in the least detract from their own lustre.
Commenting upon his defeat, Hugo said, 'I always thought the way to the
Académie was across the Pont des Arts; I find that it is across the Pont
Neuf.'
Public-domain text, read in full here on John Shaqi.
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