English poetry -- 19th century -- History and criticism; Great Britain -- History -- Victoria, 1837-1901
and we seem almost to be listening to a different voice. Many poets
have written in more than one manner. Tennyson himself had his familiar
style, the poem written in his old age to FitzGerald, for example,
which is as distinct from his graver manner as was the Keats of the
Mermaid lines from the Keats of the Odes, or Milton in the verses to
Hobson the carrier from himself in _Samson Agonistes_. But in
these other cases the more colloquial manner is deliberately assumed
for some occasion of lowered poetic pressure, not in the least
unworthy or trivial, but of less imaginative urgency than “this great
argument,” while with Browning it becomes, no less than this greater
ceremony, a serious poetic style, and one that as time went by more
and more governed his practice. But Browning did not stay at the point
indicated by “I want to know a butcher paints.” So far he was in some
measure, and more than any other major poet, following the example of
Byron, and replacing poetic elevation--using the word in its original
sense--by a racy conversationalism. He was, fairly enough, basing his
poetic style upon common idiom, but the common idiom of his use was
rather evangelised into poetic efficiency than distilled into poetic
purity. Before he could conceivably have written “blows out his brains
upon the flute” Tennyson would have been seen consciously putting his
singing robes aside, but it came from Browning in full dress. But the
unequivocal use of witty tap-room rhetoric, or call it what you will,
was not all, nor, be it said, was it in Browning’s handling an easy or
undistinguished thing. This was in no sense mere reporting. Before the
idiom got into his verse it was subjected to a very keen intellectual
scrutiny and ordering, but when it did get there it was still far more
recognisably itself than was common in poetry. When, however, we come
upon such lines as--
Hobbs hints blue,--straight he turtle eats:
Nobbs prints blue,--claret crowns his cup:
Nokes outdares Stokes in azure feats,--
Both gorge. Who fished the murex up?
What porridge had John Keats?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account