It was then that Henry Murger's Bohemia was definitely formed, a society described by one of them as "ce demi-quarteron de poètes à l'outrance, mais absolument inédits, réunis dans un tas, sans vestes ni semelles, ne doutant de rien, ni de leur lendemain, ni de leur génie, ni du génie de leur voisin, ni de l'éditeur à venir, ni du succès, ni des belles dames, ni de la fortune--de rien, si ce n'est de leur dîner du soir, trop convaincus, d'ailleurs, quant à la question de leur déjeuner du matin." Their names were the brothers Bisson, Lelioux, Noel, Nadar, Guilbert, Vastine, the brothers Desbrosses, Cabot, Villain, Tabar, Chintreuil, Pottier, Karol, Schann, and Vernet. They called themselves the "Société des Buveurs d'Eau," but they were by no means so quixotic as Murger draws that society in "Scènes de la Vie de Bohème." It was simply a union for mutual help, the rules of which did not bar any commercial occupation. The members lived as they pleased or as they could, and water was only a compulsory beverage at the official monthly meetings, when they all submitted their work to the criticism of their brethren. Their ordinary occupations were various enough. Noel gave drawing lessons; another was a judicial stenographer; Jacques Desbrosses, nicknamed Christ--the original of "Jacques D----" in "Scènes de la Vie de Bohème"--and Cabot drew designs for monumental masons; the other Desbrosses, called Gothique, earned a little money by painting door-signs for midwives; Schann, the original of Schaunard, was a musician, and Wallon, Murger's Colline, who joined the society later, eked out his barren philosophy by giving lessons; Chintreuil, afterwards to become a well-known artist, was then a bookseller's assistant, with Champfleury for his colleague; and Nadar, otherwise F. Tournachon, whom Alphonse Karr describes as "a kind of giant with immense legs, long arms, a long body with a shaggy head of red hair above it, and staring, intelligent, flashing eyes," was the poet and journalist who became a celebrated balloonist and an immensely successful photographer. His caricature hangs in the section of the Musée Carnavalet devoted to early aeronautics in Paris.