Vie de Bohème: A Patch of Romantic ParisWilliams, Orlo
History
Vie de Bohème: A Patch of Romantic Paris
Williams, Orlo
Paris (France) -- Intellectual life; Paris (France) -- Social life and customs
We may take it from Murger that the shortcomings of fortune were borne
with humorous fortitude on the credit of her occasional smiles, but
there was no illusion about the privations. Nadar, Champfleury, and
Delvau all agree that a bitter wind blew upon them. It was not so bad,
in Nadar's opinion, so long as they lived more or less together, and
this they did for a short time in an old house by the Barrière d'Enfer,
which looked like a farm with a farmyard inhabited by hens. Champfleury
made their acquaintance at this time in a little dairy where they
sometimes took their meals. It was a strange society. Some wore blouses,
others Phrygian caps, while the brothers Desbrosses had large sky-blue
overcoats, turned back with pink satin and fastened by huge
mother-of-pearl buttons. These two brothers were the originators of the
colony at the Barrière d'Enfer, and its chiefs "surtout par leur
misère." They harboured some of the others, who found a resting-place
for the night in two hammocks slung in their small room. Murger was
among them, the art of painting being for the moment his preoccupation.
Fine days were spent lounging on the roof and contemplating the then
rural surroundings. Anybody arriving with five francs in his pocket
would have been regarded as a millionaire; indeed, they were happy
enough when they could afford a few fried potatoes for dinner. Yet they
would not have exchanged their hovel for the Garden of Eden, and they
fed upon their dreams with inexhaustible confidence. Privation was still
worse when the society broke up. One Bohemian lived a whole week on raw
potatoes brought by his poor mother from the country; another went three
days without food; another passed a winter shirtless in a calico blouse
and a lasting waistcoat; another, as a device to keep himself warm, used
to carry a log of wood up to his high garret, drop it over the
banisters, and run down to fetch it again; an older Bohemian who heard
of this manœuvre exclaimed: "Spendthrift, why the log?"
Henry Murger himself, who had abandoned painting and definitely adopted
the vocation of a sentimental poet, went to live with his friend
Lelioux, first in the Rue Montholon and then in that garret at £4 a year
in the Rue de la Tour d'Auvergne where Rodolphe's friends "drank badly
filtered water out of eclectic earthenware" at his Wednesday receptions.
He had resumed his employment with M. de Tolstoi, but he was too
improvident to keep out of misery for many days together. More than once
he became so ill with purpura, an eruptive disease due in his case to
the abuse of coffee, that he had to go to the hospital. Some extracts
from his letters during these years will give an idea of his
destitution. On December 14, 1841, he writes:
"Les Desbrosses passent la moitié de la journée à ne pas manger et
l'autre à crever de froid. Les chats se méfient d'eux, et, en fait
de chéminée, ils ne possèdent que leurs pipes--bien des fois sans
tabac."
March 6, 1842:
Public-domain text, read in full here on John Shaqi.
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