Vie de Bohème: A Patch of Romantic ParisWilliams, Orlo
History
Vie de Bohème: A Patch of Romantic Paris
Williams, Orlo
Paris (France) -- Intellectual life; Paris (France) -- Social life and customs
"Sans le Christ, qui m'a donné à dîner et à déjeuner quatre fois la
semaine, je ne sais pas ce que je serais devenu. Ce garçon n'a pas
volé son surnom."
April 25, 1843:
"Nous crevons de faim; nous sommes au bout du rouleau. Il faut
décidément se faire un trou quelque part ou se faire sauter la
cervelle."
March 17, 1844:
"De Charybde en Sylla, mon cher ami! La misère est plus horrible
que jamais chez moi et autour de moi. Ma place au _Commerce_ n'a
pas eu de suite; je suis de nouveau sur le pavé. C'est horrible!
Aussi le découragement m'a-t-il pris et tout à fait submergé.
Encore quelques jours de cette position et je me fais sauter la
cervelle ou je m'engage dans la marine.--Pardonne-moi ces plaintes!
C'est le cri de la _fin_."
Like Colline, he punned even in his misery.
Letters of this doleful nature do not throw a very gay light upon the
Bohemian market-place, where there was high competition for a small
custom and prices ruled low. They contain a truth which no consideration
of Bohemia can omit, but it was not the whole truth, as Murger himself
testifies in his stories. It was a life of good days as well as bad,
even in the leanest years, or "Scènes de la Vie de Bohème" could never
have been written. Murger himself had already begun to hand some small
wares over his counter. Rodolphe, the poet, it will be remembered, did
not disdain to edit a small fashion paper called _L'Écharpe d'Iris_, in
which, to Colline's extravagant delight, he inserted the philosopher's
articles on metaphysics. This was a direct touch from life, for Bohemia
in more than one instance lent its pen to trade. There was a certain
Charles Vincent who edited two papers of the leather trade, _Le
Moniteur de la Cordonnerie_ and the _Halle aux Cuirs_. In his editorial
capacity he retained all the new pairs of boots and shoes sent in by
advertisers, and with these he often paid his contributors. Murger in
1843 edited _Le Moniteur de la Chapellerie_, the industrial fruits of
which were, no doubt, less profitable, but even a few hats and a few
francs a month were of considerable value in Bohemia. They were, of
course, nothing like the editorial profits of to-day. Receipts were
extremely precarious, when, even on a well-written literary paper like
_L'Artiste_, the application of a contributor for payment caused a
considerable rummaging in tills and pockets before twenty-five francs
could be found _dans la boutique_.[29] Yet small change was enough to
stand a Bohemian holiday, and Murger's gloomy letters must be discounted
by balancing them against Rodolphe's expedition to Versailles with
Mademoiselle Laure after he had ransacked Paris for the five francs
necessary to do that expedition in sufficient style. It would be absurd
to suppose that Murger, with Nadar, Schann, and a _grisette_ or two, did
not sometimes invade the Chaumière in a joyous band or wake from sleep
Public-domain text, read in full here on John Shaqi.
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