Vie de Bohème: A Patch of Romantic ParisWilliams, Orlo
History
Vie de Bohème: A Patch of Romantic Paris
Williams, Orlo
Paris (France) -- Intellectual life; Paris (France) -- Social life and customs
As for the "orgy," it was so much a fashion that Gautier in his "Les
Jeune France" scores a delightful hit with the story of a society of
young men who combine for a colossal feast, in which various sections
follow out in exact detail the descriptions of orgies given by their
favourite novelists and the end is a farcical confusion.
Building castles in Spain is a fascinating pastime, but the ingenuities
of imagination cannot entirely shut out the individual from his
surroundings. From 1820 to 1830 the young man of France was continually
running against the sharp corners of the world and receiving the elbow
prods of his fellow-men. Exalted by his excited sensibility, he
conceived at once a contempt and a hatred for the insensibility of
society, which produced in him a feeling of moral superiority and
solitude. This abnormal vanity, shown in the deification of "l'homme
supérieur" and a proud contemplation of his social outlawry, is a third
marked symptom of _le mal du siècle_.[5] It broke out in several
different forms. One was a romantic worship of energy and strong will,
as typified by the career of Napoleon. Given these qualities, a man
could rise from the lowest depths to impose his wishes on the world.
However, self-styled supermen have invariably found their theories
rebellious to practical application, and Henri Dubois, if he started
upon a Napoleonic path, soon discovered that society selects its "homme
supérieur" when it wants him, and that uncalled-for aspirants receive
the point of its toe. He reserved his superiority, therefore, more
usually, for less material manifestations and conflicts. His rare
spirit, susceptible to all "the finer shades," stood mournfully but
prudently on high, scorning the base, unfeeling throng below it, and
calling out through space for kindred spirits to cherish. "My friend,
take care of yourself," writes young Ampère to his friend. "Obermann
cries to us, 'Keep close together, ye simple men who feel the beauty of
natural things.' Let us help one another, all of us who suffer." So
Henri Dubois and his friends suffered and helped one another, shedding
pints of tears and being just as ridiculous as they could be.
Public-domain text, read in full here on John Shaqi.
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