Vie de Bohème: A Patch of Romantic ParisWilliams, Orlo
History
Vie de Bohème: A Patch of Romantic Paris
Williams, Orlo
Paris (France) -- Intellectual life; Paris (France) -- Social life and customs
"M. Hulot junior was just the type of young man fashioned by the
Revolution of 1830, with a mind engrossed by politics, respectful
towards his hopes, suppressing them beneath a false gravity, very
envious of reputations, uttering phrases instead of incisive
_mots_--those diamonds of French conversation--but with plenty of
attitude and mistaking haughtiness for dignity. These people are
the walking coffins which contain the Frenchman of former times;
the Frenchman gets agitated at moments and knocks against his
English envelope; but ambition holds him back, and he consents to
suffocate inside it. This coffin is always dressed in black cloth."
This sombre portion of the background need, therefore, trouble us no
further. It dominated politics and was ignored by _tout Paris_.
The aristocracy of the Faubourg St.-Germain is almost equally
negligible. Being legitimists, they sulked after 1830, either living on
their country estates or shutting themselves gloomily within the gaunt
walls of their _hôtels_ in the Faubourg. This retirement, too, was not
wholly due to _bouderie_, for many of them, like Balzac's Princesse de
Cadignan, suffered heavy financial losses by the Revolution. Their
self-denying ordinance caused a great diminution in the general gaiety
of Paris for some years. Legitimist drawing-rooms, where a brilliant
host of guests had been wont to gather, were hushed and dark while the
dowagers gravely discussed the latest news of the Duchesse de Berry. The
few official _fêtes_ were severely boycotted, and even the
entertainments of foreign ambassadors suffered. It was an irksome
business for the younger members, particularly the ladies of the
aristocracy, who eventually gathered courage to break out into small
entertainments, and in 1835 there was the first of a series of
legitimist balls, the subscriptions for which went to recompense those
whose civil list pensions had been suppressed in 1830. After this the
Faubourg St.-Germain became more lively, and certain houses were opened
to a wider circle of guests. Eugène Sue, for instance, till he became
impossible, was to be found in many legitimist drawing-rooms.
Nevertheless, the Faubourg St.-Germain avoided attracting the public eye
by any conspicuous festivities, and this had two effects. In the first
place, it brought the more joyous festivities of _tout Paris_ and the
riotous celebrations of Bohemia into greater relief; and, in the second,
the men of the aristocracy, like the Duc d'Aulnis, were driven to find
distraction and amusement in a gayer world into which their own
womankind was debarred from penetrating. It was they who formed a
certain section of _tout Paris_; they were the _viveurs_, the _dandies_,
the young bloods of the newly founded Jockey Club, the members of the
_petit cercle_ in the Café de Paris, who joined hands with what may be
called _la haute Bohème_.
Public-domain text, read in full here on John Shaqi.
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