Vie de Bohème: A Patch of Romantic ParisWilliams, Orlo
History
Vie de Bohème: A Patch of Romantic Paris
Williams, Orlo
Paris (France) -- Intellectual life; Paris (France) -- Social life and customs
There are no such reservations to be made for Roger de Beauvoir, whom
Madame de Girardin called "Alfred de Musset aux cheveux noirs." He was
the arch-_viveur_, with one exquisitely shod foot on the boulevard, the
other in Bohemia, the gayest of all those who supped, the insatiable
quaffer of champagne, the inexhaustible fountain of epigram, the king of
_la haute Bohème_, the very incarnation of the _Noctambule_ in
Charpentier's delightful opera, "Louise." His family was the good Norman
family of de Bully, and he took the name of Beauvoir from one of the two
estates which were his heritage. Those who were responsible for his
early guidance clearly intended that he should make his way in
diplomacy--a career in which his good looks, sympathetic voice, and
charming manners would have greatly helped his pioneering--for he was
sent to be Polignac's secretary when that unfortunate minister occupied
the embassy at London. When his chief came back to the stormy days of
July, the debonair secretary, judging no doubt that any association with
politics was incompatible with gilded ease, abandoned all attempts to
play the game of a Rastignac, and pursued his fantasies in airy
independence. The Romanticism of the _Jeune-France_ party attracted at
once the enthusiasm of a young man, just in his majority by 1830, who
was naturally a lover of brilliant colouring. He became a fanatical
medievalist, who displayed with pride a Gothic cabinet panelled in
carved oak, hung with black velvet, and lit by stained-glass windows.
The ceiling was covered with coats-of-arms; the chief decorations were a
panoply of armour and an old _prie-dieu_ on which a missal of 1350
opened its illuminated pages. Even in 1842, when Maxime du Camp first
met him, he still dreamt of reviving the age of chivalry, having just
created a sensation by waltzing at a ball in full armour, fainting and
falling with the clatter of innumerable stove-pipes. Undeterred by this
mishap, he proposed to form a company, to be called the "Société des
champs clos de France," which was to buy land for a tilting-ground, Arab
steeds, and armour for the purpose of holding weekly tourneys. The
shares were to be 1000 francs each, but as Maxime du Camp's guardian
prohibited the purchase of any by his enthusiastic ward, the project was
dropped. Like every true Romantic he wrote a medieval novel, but his
novel, "L'Écolier de Cluny," unlike those of the majority, was published
and brought him considerable fame. After its publication in 1832, he
became in some sort a man of letters, but he never added to his
reputation, being far too bent upon the pursuit of pleasure to bear the
restrictions of any profession. Having failed as a writer of
vaudevilles, he found his true vocation as the leader of a band of
revellers and a composer of wicked epigrams in verse. His epigrams,
always written _impromptu_ upon the pages of a notebook, were a real
addition to the gaiety of Paris. Here is one composed when
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account