English literature -- 19th century -- History and criticism
Dinah Morris is apparently a study from life;
and it is warm praise to say, that, in spite of the
high key in which she is conceived, morally, she
retains many of the warm colours of life. But
I confess that it is hard to conceive of a woman
so exalted by religious fervour remaining so cool-headed
and so temperate. There is in Dinah Morris
too close an agreement between her distinguished
natural disposition and the action of her
religious faith. If by nature she had been passionate,
rebellious, selfish, I could better understand
her actual self-abnegation. I would look
upon it as the logical fruit of a profound religious
experience. But as she stands, heart and soul go
easily hand in hand. I believe it to be very uncommon
for what is called a religious conversion
merely to intensify and consecrate pre-existing inclinations.
It is usually a change, a wrench; and
the new life is apt to be the more sincere as the
old one had less in common with it. But, as I
have said, Dinah Morris bears so many indications
of being a reflection of facts well known to the
author,--and the phenomena of Methodism, from
the frequency with which their existence is referred
to in her pages, appear to be so familiar to her,--that
I hesitate to do anything but thankfully
accept her portrait.
About Hetty Sorrel I shall have no hesitation
whatever: I accept her with all my heart. Of all
George Eliot's female figures she is the least ambitious,
and on the whole, I think, the most successful.
The part of the story which concerns her is
much the most forcible; and there is something infinitely
tragic in the reader's sense of the contrast
between the sternly prosaic life of the good people
about her, their wholesome decency and their noon-day
probity, and the dusky sylvan path along which
poor Hetty is tripping, light-footed, to her ruin.
Hetty's conduct throughout seems to me to be
thoroughly consistent. The author has escaped the
easy error of representing her as in any degree
made serious by suffering. She is vain and superficial
by nature; and she remains so to the end.
Public-domain text, read in full here on John Shaqi.
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