English literature -- 19th century -- History and criticism
Of the four English stories, _The Mill on the
Floss_ seems to me to have most dramatic continuity,
in distinction from that descriptive, discursive
method of narration which I have attempted to
indicate. After Hetty Sorrel, I think Maggie Tulliver
the most successful of the author's young
women, and after Tito Melema, Tom Tulliver the
best of her young men. English novels abound in
pictures of childhood; but I know of none more
truthful and touching than the early pages of this
work. Poor erratic Maggie is worth a hundred
of her positive brother, and yet on the very
threshold of life she is compelled to accept him
as her master. He falls naturally into the man's
privilege of always being in the right. The following
scene is more than a reminiscence; it is
a real retrospect. Tom and Maggie are sitting
upon the bough of an elder-tree, eating jam-puffs.
At last only one remains, and Tom undertakes to
divide it.
"The knife descended on the puff, and it was
in two; but the result was not satisfactory to
Tom, for he still eyed the halves doubtfully. At
last he said, 'Shut your eyes, Maggie.'
"'What for?'
"'You never mind what for,--shut 'em when I
tell you.'
"Maggie obeyed.
"'Now, which'll you have, Maggie, right hand
or left?'
"'I'll have that one with the jam run out,' said
Maggie, keeping her eyes shut to please Tom.
"'Why, you don't like that, you silly. You
may have it if it comes to you fair, but I sha'n't
give it to you without. Right or left,--you choose
now. Ha-a-a!' said Tom, in a tone of exasperation,
as Maggie peeped. 'You keep your eyes
shut now, else you sha'n't have any.'
"Maggie's power of sacrifice did not extend so
far; indeed, I fear she cared less that Tom should
enjoy the utmost possible amount of puff, than that
he should be pleased with her for giving him the
best bit. So she shut her eyes quite close until
Tom told her to 'say which,' and then she said,
'Left hand.'
"'You've got it,' said Tom, in rather a bitter
tone.
"'What! the bit with the jam run out?'
"'No; here, take it,' said Tom, firmly, handing
decidedly the best piece to Maggie.
"'O, please, Tom, have it; I don't mind,--I
like the other; please take this.'
"'No, I sha'n't,' said Tom, almost crossly, beginning
on his own inferior piece.
"Maggie, thinking it was of no use to contend
further, began too, and ate up her half puff with
considerable relish as well as rapidity. But Tom
had finished first, and had to look on while Maggie
ate her last morsel or two, feeling in himself a
capacity for more. _Maggie didn't know Tom was
looking at her: she was see-sawing on the elder-bough,
lost to everything but a vague sense of jam
and idleness._
"'O, you greedy thing!' said Tom, when she
had swallowed the last morsel."
Public-domain text, read in full here on John Shaqi.
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