English literature -- 19th century -- History and criticism
Mr. Swinburne has by this time impressed upon the general public a
tolerably vivid image of his literary personality. His line is a
definite one; his note is familiar, and we know what to expect from him.
He was at pains, indeed, a year ago to quicken the apprehension of
American readers by an effusion directed more or less explicitly to
themselves. This piece of literature was brief, but it was very
remarkable. Mr. Emerson had had occasion to speak of Mr. Swinburne with
qualified admiration and this circumstance, coming to Mr. Swinburne's
ears, had prompted him to uncork on the spot the vials of his wrath. He
addressed to a newspaper a letter of which it is but a colourless
account to say that it embodied the very hysterics of gross
vituperation.
Mr. Swinburne has some extremely just remarks about Byron's
unamenableness to quotation, his having to be taken in the gross. This
is almost equally true of our author himself; he must be judged by all
he has done, and we must allow, in our judgment, the weight he would
obviously claim for it to his elaborate tribute to the genius of Mr.
Emerson. His tone has two distinct notes--the note of measureless praise
and the note of furious denunciation. Each is in need of a correction,
but we confess that, with all its faults, we prefer the former. That Mr.
Swinburne has a kindness for his more restrictive strain is, however,
very obvious. He is over-ready to sound it, and he is not particular
about his pretext.
Some people, he says, for instance, affirm that a writer may have a very
effective style, yet have nothing of value to express with it. Mr.
Swinburne demands that they prove their assertion. "This flattering
unction the very foolishest of malignants will hardly, in this case
(that of Mr. D. G. Rossetti), be able to lay upon the corrosive sore
which he calls his soul; the ulcer of ill-will must rot unrelieved by
the rancid ointment of such fiction." In Mr. W. M. Rossetti's edition of
Shelley there is in a certain line, an interpolation of the word
"autumn." "For the conception of this atrocity the editor is not
responsible; for its adoption he is. A thousand years of purgatorial
fire would be insufficient expiation for the criminal on whose deaf and
desperate head must rest the original guilt of defacing the text of
Shelley with this most damnable corruption."
Public-domain text, read in full here on John Shaqi.
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