English literature -- 19th century -- History and criticism
The idea, for instance, of a _flying ram_, seems, to an undisciplined
fancy, a not especially happy creation, nor a very promising theme for
poetry; but Mr. Morris, without diminishing its native oddity, has given
it an ample romantic dignity. So, again, the sowing of the dragon's
teeth at Colchis, and the springing up of mutually opposed armed men,
seems too complex and recondite a scene to be vividly and gracefully
realized; but as it stands, it is one of the finest passages in Mr.
Morris's poem. His great stumbling-block, however, we take it, was the
necessity of maintaining throughout the dignity and prominence of his
hero. From the moment that Medea comes into the poem, Jason falls into
the second place, and keeps it to the end. She is the all-wise and
all-brave helper and counsellor at Colchis, and the guardian angel of
the returning journey. She saves her companions from the Circean
enchantments, and she withholds them from the embraces of the Sirens.
She effects the death of Pelias, and assures the successful return of
the Argonauts. And finally--as a last claim upon her interest--she is
slighted and abandoned by the man of her love. Without question, then,
she is the central figure of the poem,--a powerful and enchanting
figure,--a creature of barbarous arts, and of exquisite human passions.
Jason accordingly possesses only that indirect hold upon our attention
which belongs to the Virgilian Æneas; although Mr. Morris has avoided
Virgil's error of now and then allowing his hero to be contemptible.
A large number, however, of far greater drawbacks than any we are able
to mention could not materially diminish the powerful beauty of this
fantastic legend. It is as rich in adventure as the Odyssey, and very
much simpler. Its prime elements are of the most poetical and delightful
kind. What can be more thrilling than the idea of a great boatful of
warriors embarking upon dreadful seas, not for pleasure, nor for
conquest, nor for any material advantage, but for the simple discovery
of a jealously watched, magically guarded relic? There is in the
character of the object of their quest something heroically
unmarketable, or at least unavailable.
Public-domain text, read in full here on John Shaqi.
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