However, these things troubled our precocious Elizabeth but little as yet. The girl grew rapidly in craftsmanship and in personal beauty. Indeed, she developed towards womanhood as early and as swiftly as in skill of artistry, being remarkable for her prettiness, her freshness and delicacy of colouring, and her elegance of figure--early displaying the airy wit that, with these abundant gifts of her fairy godmother, were so valuable an aid to the reputation which she was achieving by her artistry at a time when most children are in the schoolroom. Her advance was so astounding that every one was talking about the girl; and the moment soon arrived when her master saw the pupil passing him in skill of hand and reputation as a painter; gazing dumbfounded at the stream of the greatest celebrities and personages of the day flocking to the studio of a girl of but fifteen years of age. How strange a thing the weaving of the web of Destiny! In this very same year there came out of Austria a fifteen-year-old princess of its Royal House, leaving the home of her forefathers in tears, and amidst the tears of a people that had grown to love the winsome child; for, Marie Antoinette was setting forth on her life's adventure as future Queen of France, a tragic wayfaring for a butterfly! Elizabeth Vigee's extraordinary rise into notice brought her the friendship and counsel of Joseph Vernet, who gave her most precious advice which was a beacon to her career all her years: "My child," said he, "do not follow any system of schools. Consult only the works of the great Italian and Flemish masters. But, above all things, make as many studies as you can from Nature. Nature is the supreme master. If you study Nature with care it will prevent you from picking up any mannerisms." ===================================================================== PLATE III.--MADAME VIGEE LE BRUN AND CHILD (In the Louvre) Vigee Le Brun painted another portrait of herself and her little girl-child; and she painted both, fortunately for her fame, when her skill was at its increase. They stand out, with all their limitations, pure and exquisite as the Madonna and Child of Italy's finest achievement; for they were painted by a woman of genius with the passionate love of a child that is the wondrous heritage of woman--none the less religious in that it apes no show of religion. [Illustration: Plate III.] =====================================================================