Vignettes: A Miniature Journal of Whim and Sentiment — John Shaqi
Vignettes: A Miniature Journal of Whim and SentimentCrackanthorpe, Hubert
PhilosophyPhilosophy
Vignettes: A Miniature Journal of Whim and Sentiment
Crackanthorpe, Hubert
English essays -- 19th century; Europe -- Description and travel
[Sidenote: _From Posilipo_
Nov. 12]
Heaped beneath us all Naples, white and motionless in the silent blaze
of the midday sun; circling the bay, still and smooth and blue as the
sky above, a misty line of white villages; dark, velvety shadows draping
the hills; on the horizon, rising abruptly, Capri’s notched
silhouette—_tout semble suer la beauté—la bonne et franche beauté
criarde des pays chauds européens_.
* * * * *
[Sidenote: _In the Strada del Porto_
Nov. 12]
A strip of treacherous pavement slimy with garbage; the wan flicker of
foul lanterns, vaguely revealing the black shapes of sail-like awnings
above a network of mysterious masts; and the sodden, continuous uproar
of a reeking crowd—hawkers of fruit, of fish, of assorted
cigar-ends—fiercely clamouring together in the darkness....
By-and-bye, through the obscurity, peers the glossy vermilion of piled
capsicums, the scarlet sparkle of bleeding pomegranates, and the hard
flashing of scattered, silvery sardines. Here and there, behind a
chestnut-brazier that shoots long, licking tongues of ruddy flame, the
vacant, battered countenance of some aged crone; or amid a frenzied
cracking of whips the clattering passage of a team of trembling mules,
straining at a lean-shafted, high-wheeled cart, passing across the
street, to disappear, engulfed in cavernous blackness, beneath a noisome
archway. Bands of sailors jostle their way down the alley, rudely
rebuffing the obscene advances of slatternly women; the night grows
airless and stifling, under the dingy stars that speckle the black strip
of sky overhead; and the street comes to possess a satanic fascination,
almost epic in its intensity....
[Sidenote: _Moonlight_
Nov. 29]
The long line of lamps casts countless, trembling pillars of dusky gold
into the sea: the night is full of stifled light—a pale, quivering
suffusion of mysterious blue. The Castello d’Oro floats, black as ink,
like a shapeless hulk; across the empty sky a solitary, ghostly cloud
lies sleeping; somewhere, beyond the bay, the moonlight is dancing; and
the rhythm of the sleek, rolling waves drowsily, lazily, rises and
falls.
A boy and a girl lean together, watching the waves: some mandolines
start a faint twanging; the distant rattle of a cab—then all is quiet;
and the glow above Vesuvius, sullenly pulsing, alone breaks in upon the
delicate serenity of the night....
[Sidenote: _At the Theatre Manzoni_
Nov. 26]
I have been to many first-nights there, for I have found a certain
childish charm in the small, shabby, blue-and-white theatre, the tiers
of minute boxes, close-packed with faces, the noisy Neapolitan pit, and
the inevitable row of callow critics, sucking their pencil-stumps, each
with his hat tight-jammed behind his head.
Public-domain text, read in full here on John Shaqi.
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